Anubrata Basu

After Nihilistic rapper Gandu steals from his mother's lover, he embarks on a drug-fueled rampage with a rickshaw puller.

Whenever love leaves, it leaves traces. Those traces cling on to old times and familiar spaces.

Madly Bangalee is a Bengali rock band that inspires the film’s title. They rehearse in a dowdy garage of Kolkata, owned by Bobby (Lew Hilt), who owns Bobby’s Garage. Four young boys with stardust in their eyes practise their numbers not knowing what they are really aiming at. But the garage is under threat from a South Kolkata don Baburam (Chandan Sen). One morning, an elderly man, San (Anjan Dutt), arrives from "America and Paris." Baaji, (Sumit) the drummer who is a Muslim had to drop out of school. He escapes from the trap of turning a terrorist like his older brother Sultan. He later becomes a police officer who bashes up everyone who tries to bribe him. Neon (Tanaji) plays the rhythm guitar but, sucked into the world of drugs, he disappears from the face of the earth with his guitar. Pablo, lead singer, bass guitarist and lyricist, leaves for the US and the group breaks up. Bobby dies.

Three generations of a family live together but they are very different from each other. The three young sons learn various lessons from life and end up as better human beings.

Dans cette adaptation hallucinogène d'une pièce classique, un prince débarque sur une île dominée par des fascistes et encourage une rébellion parmi les habitantes.

Dans une forêt, à la limite d'une frontière, un jeune bengali et un soldat européen cherchent à s'apprivoiser. A Calcutta, Rahul, un architecte qui était parti faire carrière à Dubaï, démarre la supervision d'un immense chantier. Il renoue avec Paoli, son amie, qui a longtemps attendu son retour, seule, loin de sa famille. Les deux partent à la recherche du frère de Rahul dont on dit qu’il est devenu un fou, qu'il vit dans la forêt et dort dans les arbres…

Jhunku, a 14-year-old youth in 1930s British Bangladesh, embarks on a journey to determine where he belongs.

Three girlfriends, Preenita, Rhea and Shreemoyee share everything with each other from the angst of the "will-he-or-won't-he-call" debates, to the addictive gossip sessions, the analysis of dumping and getting dumped, the complaining about husbands, boyfriends, or the lack of boyfriends; over cups and cups of coffee, as they let their hair down on their 'girls-gone-wild' nights on the town.

We market our picture perfect, Facebook-savvy lives, as we navigate our fabulous body-doubles past other people’s walls, collecting friends, being successful, living the life. Online, we are happy. Online rocks. It’s Offline that sucks - as we shut our laptop, shut our Bedroom door, rest our head on our pillow and sink into the familiar discomfort of being our unattractive, unaccomplished, pitiful selves. This is the allegorical “Bedroom” – our most private space where we retire to, night after night. Where we let our guards down and dare to be at our ugliest worst.