Nick Zinner

A short film to accompany the reissue of Nick Cave & The Bad Seeds album The Firstborn is Dead (originally released in 1985). The result is a determinedly human portrait of the unique body of work produced by the band over the last 25 years, told through those who have lived and loved the music, including close collaborators.

A short film to accompany the reissue of Nick Cave & The Bad Seeds album Kicking Against the Pricks (originally released in 1986). The result is a determinedly human portrait of the unique body of work produced by the band over the last 25 years, told through those who have lived and loved the music, including close collaborators.

A short film to accompany the reissue of Nick Cave & The Bad Seeds album Tender Prey (originally released in 1988). The result is a determinedly human portrait of the unique body of work produced by the band over the last 25 years, told through those who have lived and loved the music, including close collaborators.

A short film to accompany the reissue of Nick Cave & The Bad Seeds album The Good Son (originally released in 1990). The result is a determinedly human portrait of the unique body of work produced by the band over the last 25 years, told through those who have lived and loved the music, including close collaborators.

A short film to accompany the reissue of Nick Cave & The Bad Seeds album The Boatman's Call (originally released in 1997). The result is a determinedly human portrait of the unique body of work produced by the band over the last 25 years, told through those who have lived and loved the music, including close collaborators.

A short film to accompany the reissue of Nick Cave & The Bad Seeds album No More Shall We Part (originally released in 2001). The result is a determinedly human portrait of the unique body of work produced by the band over the last 25 years, told through those who have lived and loved the music, including close collaborators.

A 2004 documentary on thirty years of alternative rock 'n roll in NYC.Documenting the history from the genuine authenticity of No Wave to the current generation of would be icons and true innovators seeing to represent New York City in the 21st century

Meet Me In the Bathroom est un voyage immersif à travers la scène musicale new-yorkaise du début des années 2000, avec des images inédites d'artistes comme Yeah Yeah Yeahs, The Strokes, Interpol et LCD Soundsystem. Dans le contexte du 11 septembre, le film raconte comment une nouvelle génération a déclenché une renaissance musicale à New York qui s'est répercutée dans le monde entier. Inspiré du livre de Lizzy Goodman.

From myth to legend Rowland Howard appeared on the early Melbourne punk scene like a phantom out of Kafkaesque Prague or Bram Stoker’s Dracula. A beautifully gaunt and gothic aristocrat, the unique distinctive fury of his guitar style shot him directly into the imagination of a generation. He was impeccable, the austerity of his artistry embodied in his finely wrought form, his obscure tastes and his intelligently wry wit. He radiated a searing personal integrity that never seemed to tarnish. Despite the trials and tribulations of his career, in an age of makeover and reinvention, Rowland Howard never ‘sold out’. With recent and moving interviews, archival interviews and other fascinating and original footage, AUTOLUMINESCENT traces the life of Rowland S Howard. Capturing moments with the man himself and intimate missives from those who knew him behind closed doors; words and images etch light into what has always been the mysterious dark.

There Is No Modern Romance follows New York indie rock band Yeah Yeah Yeahs as they support their cult classic debut Fever to Tell on the road in the UK in 2003

It follows the untold story of how a network of pharmaceutical manufacturers, distributors, and retailers worked together to orchestrate and perpetuate the opioid crisis that has killed over half a million people in America.

Jonny Baptiste is a reckless teen sent to live with her estranged Aunt Hildie. On the event of her eighteenth birthday, she experiences a radical metamorphosis: a family spell that redefines her called Forevering. When several teen girls go missing at her new school, a mythically feral Jonny goes after the Perpetrator.

Jonny Baptiste is a reckless teen sent to live with her estranged Aunt Hildie. On the event of her eighteenth birthday, she experiences a radical metamorphosis: a family spell that redefines her called Forevering. When several teen girls go missing at her new school, a mythically feral Jonny goes after the Perpetrator.

Jonny Baptiste is a reckless teen sent to live with her estranged Aunt Hildie. On the event of her eighteenth birthday, she experiences a radical metamorphosis: a family spell that redefines her called Forevering. When several teen girls go missing at her new school, a mythically feral Jonny goes after the Perpetrator.

LOLA, 15 is the first film in an upcoming series called LET ME GET WHAT I WANT THIS TIME. Its a short, formal documentary which intimately observes the sacred spaces of a fifteen year old girl named Lola. The larger series will examine many more of these spaces across a wide range of race, class, location and culture. The painful process of shedding adolescence is actualized in this highly curated interior--a sanctuary and visible elegy to childhood. Through languid drifts across the details of Lola's bedroom, a secret language is revealed.

Saturday Night Live est une émission de divertissement retransmise en direct depuis le Studio 8H du GE Building au Rockefeller Center de New York. Diffusé le samedi soir sur la chaîne NBC, le programme se compose de sketches, de parodies et de performances musicales. Il s'agit de l'un des programmes phares de la télévision américaine, qui a permis l'émergence de nombreuses stars de la comédie lors des trente dernières années.