Lutz Dammbeck

Recently added

REALFilm
1

REALFilm

Jan 01, 2008

REALFilm
2008 48 min 1 vues
"This multimedia collage, which includes performances by pantomime artist and dancer Fine Kwiatkowski, painter and filmmaker Lutz Dammbeck and musician Robert Linke, is a reflection on the medium of film and its elements: sound, light and movement. Dammbeck’s goal is to cleanse these elements of ideology and commerce and compose a new film out of them. The process is played out in the space in real time." - DEFA Film Library
Documentary
Overgames
6.9

Overgames

Apr 21, 2016

Overgames
2016 164 min 9 vues
C'est un fait peu connu : durant la Seconde Guerre mondiale, un groupe de psychiatres américains s'intéresse à ce qu'il estime être la folie collective de l'Allemagne. En 1943, dans son essai L'Allemagne est-elle incurable ?, le jeune psychiatre Richard M. Brickner, proche de l'anthropologue Margaret Mead, diagnostique ainsi chez les Allemands une paranoïa collective. Il propose une "rééducation" thérapeutique, mise au point dans certains hôpitaux américains et impliquant notamment des jeux proposés aux patients. Transposées sur petit écran avec des candidats ordinaires, ces expériences donnent lieu à une version allemande de jeu télévisé, qui fut populaire dans la RFA des années 1960. Sa découverte inspire au réalisateur Lutz Dammbeck une étonnante enquête historique, qui le mène des asiles psychiatriques du milieu du XXe siècle à l'Allemagne contemporaine.
Documentary
Das Meisterspiel
6.3

Das Meisterspiel

Oct 30, 1998

Das Meisterspiel
1998 106 min 3 vues
At the Vienna Art Academy in 1994, an unidentified person painted over 27 works by Austrian painter Arnulf Rainer. Rainer had become world-famous for his abstract art and, in particular, for his over-layering of photographs and overpainting of his own and other artists’ works. But who painted over the “overpainter”? Speculation rages: Did he attack his works himself? A year later, an unsigned letter surfaces claiming responsibility for the act directed against Rainer – and modern art in general – and accusing the artist of being complicit with “destructive modernism.” At the same time, Austria is shaken by a series of mail bombs by the Bajuwarian Liberation Army, in response to the supposed threat to Austria’s “German identity.” Are there connections between the overpainting event and the mail bombs? Or is this all just a game? A dream? Or perhaps a hallucination?
Documentary
Das Netz
6

Das Netz

Oct 01, 2003

Das Netz
2003 121 min 12 vues
More of a film essay - of the type pioneered by Orson Welles and Chris Marker - than a standard documentary, German filmmaker Lutz Dammbeck's The Net: The Unabomber, the LSD and the Internet begins with the typical format and structure of a nonfiction film, and a single subject (the life and times of mail bomber Ted Kaczynski). From that thematic springboard, Dammbeck branches out omnidirectionally, segueing into a series of thematic riffs and variants on such marginally-related subjects as: the history of cyberspace, terrorism, utopian ideals, LSD, the Central Intelligence Agency, and Cuckoo's Nest author Ken Kesey and his Merry Pranksters.
Documentary
Metamorphosen I
1

Metamorphosen I

Jan 01, 1978

Metamorphosen I
1978 7 min 1 vues
For the multimedia exhibition Tangenten I (Tangents I), Dammbeck and co-organizer, sculptor and painter Frieder Heinze had planned to collaborate on a film that would combine non-camera animation with 35mm footage of a train ride between the two Dresden districts of Radebeul and Pieschen. When the exhibition was banned in 1978, Heinze turned to other projects, but Dammbeck continued working on the film by himself. Metamorphoses I—the first experimental film ever to be shown publicly in East Germany—marks the filmic beginning of Dammbeck’s long-term art project the Herakles-Konzept (Hercules Concept).
Animation
Metamorphosen I
1

Metamorphosen I

Jan 01, 1978

Metamorphosen I
1978 7 min 1 vues
For the multimedia exhibition Tangenten I (Tangents I), Dammbeck and co-organizer, sculptor and painter Frieder Heinze had planned to collaborate on a film that would combine non-camera animation with 35mm footage of a train ride between the two Dresden districts of Radebeul and Pieschen. When the exhibition was banned in 1978, Heinze turned to other projects, but Dammbeck continued working on the film by himself. Metamorphoses I—the first experimental film ever to be shown publicly in East Germany—marks the filmic beginning of Dammbeck’s long-term art project the Herakles-Konzept (Hercules Concept).
Animation
Das Meisterspiel
6.3

Das Meisterspiel

Oct 30, 1998

Das Meisterspiel
1998 106 min 3 vues
At the Vienna Art Academy in 1994, an unidentified person painted over 27 works by Austrian painter Arnulf Rainer. Rainer had become world-famous for his abstract art and, in particular, for his over-layering of photographs and overpainting of his own and other artists’ works. But who painted over the “overpainter”? Speculation rages: Did he attack his works himself? A year later, an unsigned letter surfaces claiming responsibility for the act directed against Rainer – and modern art in general – and accusing the artist of being complicit with “destructive modernism.” At the same time, Austria is shaken by a series of mail bombs by the Bajuwarian Liberation Army, in response to the supposed threat to Austria’s “German identity.” Are there connections between the overpainting event and the mail bombs? Or is this all just a game? A dream? Or perhaps a hallucination?
Documentary
Dürers Erben
1

Dürers Erben

Aug 26, 1996

Dürers Erben
1996 59 min 1 vues
Dammbeck, himself an alumnus of the Leipzig Academy for Graphic and Book Design, presents the origins of the new German realism developed by the so-called Leipzig School, which took place in the context of socialist-realist dogma in the GDR before the Wall was built in 1961. After the Wall came down in 1989, what happened to the major Leipzig School painters Werner Tübke and Bernhard Heisig, who had been called “Dürer’s red heirs” by West German journalists in the 1970s? In the film, Tübke, Heisig, and former GDR officials who were involved with the cultural scene in Leipzig at the time talk about modernism, conformism, political pressure, party discipline, personal claims, and fading memory. The documentary paints an insightful, often critical picture of early East German art history.
Documentary
Lebe!
1

Lebe!

Jan 01, 1978

Lebe!
1978 11 min 1 vues
This short film traces the story of a man from birth to old age. The magical dreams of his youth appear from time to time, but daily routine quickly takes over. His striving for material wealth – including a Trabant car, a shelving unit, a boat – leads him to betray his youthful ideals, and he ultimately becomes a slave to his possessions. In the final frames of the film, “LIVE” – written in large white letters – ironically reminds viewers not to forget to follow their dreams.
Das Netz
6

Das Netz

Oct 01, 2003

Das Netz
2003 121 min 12 vues
More of a film essay - of the type pioneered by Orson Welles and Chris Marker - than a standard documentary, German filmmaker Lutz Dammbeck's The Net: The Unabomber, the LSD and the Internet begins with the typical format and structure of a nonfiction film, and a single subject (the life and times of mail bomber Ted Kaczynski). From that thematic springboard, Dammbeck branches out omnidirectionally, segueing into a series of thematic riffs and variants on such marginally-related subjects as: the history of cyberspace, terrorism, utopian ideals, LSD, the Central Intelligence Agency, and Cuckoo's Nest author Ken Kesey and his Merry Pranksters.
Documentary
Das Netz
6

Das Netz

Oct 01, 2003

Das Netz
2003 121 min 12 vues
More of a film essay - of the type pioneered by Orson Welles and Chris Marker - than a standard documentary, German filmmaker Lutz Dammbeck's The Net: The Unabomber, the LSD and the Internet begins with the typical format and structure of a nonfiction film, and a single subject (the life and times of mail bomber Ted Kaczynski). From that thematic springboard, Dammbeck branches out omnidirectionally, segueing into a series of thematic riffs and variants on such marginally-related subjects as: the history of cyberspace, terrorism, utopian ideals, LSD, the Central Intelligence Agency, and Cuckoo's Nest author Ken Kesey and his Merry Pranksters.
Documentary
Herzog Ernst
6

Herzog Ernst

Jan 01, 1993

Herzog Ernst
1993 44 min 2 vues
Young Duke Ernest wants to become a good knight. The circumstances are not in his favour: The emperor wants to claim the Duke's castle and marry his mother. He has Ernest wrongfully accused of murder and thrown in the dungeon. Duke Ernest's only chance to escape a death sentence is to join the army and to go to the orient in search of the legendary Carbuncle Stone. He'll have to overcome carnivorous rocks, magnetic mountains, the giant bird Rock and many more.
Animation
Einmart
7

Einmart

Nov 27, 1981

Einmart
1981 14 min 3 vues
The very first images in the film set unprecedented standards in East German animated film: a Buñuelean eye that fills the entire screen, real-life sequences of fleeing animals and a sound collage running contrary to what is seen on the screen. This also extends to the protagonist of the film, a head on a foot without a body or arms who pads wearily through the depressing surroundings. Upon seeing various figures in the sky, he begins to copy their movements. To his surprise, he himself manages to grow wings and takes to the skies. But his attempt at flight ends in a sobering manner however, as it is revealed that flying creatures are just restricted in their range.
Animation
Hommage à la Sarraz
1

Hommage à la Sarraz

Jan 01, 1981

Hommage à la Sarraz
1981 12 min 1 vues
Dammbeck relocates the Leipzig-based artists' circle known as Herbstsalon to La Sarraz Palace in Switzerland, which in 1929 was the venue of the legendary congress held by important protagonists of new, independent cinema as a forum to discuss issues such as elitist thinking, the taste of the masses, and the difference between art and life. One participant was the avant-garde filmmaker Walter Ruttman, who had already begun to produce abstract films for advertising purposes at a time when his co-pioneers Viking Eggeling and Hans Richter were still preoccupied with painting. All the same, Ruttman placed his talent at the disposal of Nazi propagandists during the Third Reich. Dammbeck reflects upon the durability of the notion we term avant garde by vacillating it between the extremes of Modernism and anti-modernism. Hommage à La Sarraz was at the core of the film footage deployed in Dammbeck's 'Hercules Media Collage' of 1984/85.
Hommage à la Sarraz
1

Hommage à la Sarraz

Jan 01, 1981

Hommage à la Sarraz
1981 12 min 1 vues
Dammbeck relocates the Leipzig-based artists' circle known as Herbstsalon to La Sarraz Palace in Switzerland, which in 1929 was the venue of the legendary congress held by important protagonists of new, independent cinema as a forum to discuss issues such as elitist thinking, the taste of the masses, and the difference between art and life. One participant was the avant-garde filmmaker Walter Ruttman, who had already begun to produce abstract films for advertising purposes at a time when his co-pioneers Viking Eggeling and Hans Richter were still preoccupied with painting. All the same, Ruttman placed his talent at the disposal of Nazi propagandists during the Third Reich. Dammbeck reflects upon the durability of the notion we term avant garde by vacillating it between the extremes of Modernism and anti-modernism. Hommage à La Sarraz was at the core of the film footage deployed in Dammbeck's 'Hercules Media Collage' of 1984/85.
REALFilm
1

REALFilm

Jan 01, 2008

REALFilm
2008 48 min 1 vues
"This multimedia collage, which includes performances by pantomime artist and dancer Fine Kwiatkowski, painter and filmmaker Lutz Dammbeck and musician Robert Linke, is a reflection on the medium of film and its elements: sound, light and movement. Dammbeck’s goal is to cleanse these elements of ideology and commerce and compose a new film out of them. The process is played out in the space in real time." - DEFA Film Library
Documentary
Das Netz_Besuch bei
1

Das Netz_Besuch bei "Hakim Bey”

Jan 01, 2005

Das Netz_Besuch bei "Hakim Bey”
2005 35 min 1 vues
In 1985 under the Pseudonym "Hakim Bey" Peter Lamborn Wilson published the book "TAZ: The Temporary Autonomous Zone, Ontological Anarchy, Poetic Terrorism", a cult book for the first generation of hackers and cyberpunks. Lutz Dammbeck visited Peter Lamborn Wilson together with Sabine Schenk in June 2004 to compile material for the website about the film The Net. They talked about spirituality, technology, politics, art and resistance.
REALFilm
1

REALFilm

Jan 01, 2008

REALFilm
2008 48 min 1 vues
"This multimedia collage, which includes performances by pantomime artist and dancer Fine Kwiatkowski, painter and filmmaker Lutz Dammbeck and musician Robert Linke, is a reflection on the medium of film and its elements: sound, light and movement. Dammbeck’s goal is to cleanse these elements of ideology and commerce and compose a new film out of them. The process is played out in the space in real time." - DEFA Film Library
Documentary
REALFilm
1

REALFilm

Jan 01, 2008

REALFilm
2008 48 min 1 vues
"This multimedia collage, which includes performances by pantomime artist and dancer Fine Kwiatkowski, painter and filmmaker Lutz Dammbeck and musician Robert Linke, is a reflection on the medium of film and its elements: sound, light and movement. Dammbeck’s goal is to cleanse these elements of ideology and commerce and compose a new film out of them. The process is played out in the space in real time." - DEFA Film Library
Documentary
Einmart
7

Einmart

Nov 27, 1981

Einmart
1981 14 min 3 vues
The very first images in the film set unprecedented standards in East German animated film: a Buñuelean eye that fills the entire screen, real-life sequences of fleeing animals and a sound collage running contrary to what is seen on the screen. This also extends to the protagonist of the film, a head on a foot without a body or arms who pads wearily through the depressing surroundings. Upon seeing various figures in the sky, he begins to copy their movements. To his surprise, he himself manages to grow wings and takes to the skies. But his attempt at flight ends in a sobering manner however, as it is revealed that flying creatures are just restricted in their range.
Animation
1. Leipziger Herbstsalon
1

1. Leipziger Herbstsalon

Jan 01, 2008

1. Leipziger Herbstsalon
2008 22 min 1 vues
In 1984, the “First Leipzig Autumn Salon” took place – a risk and a caesura for Dammbeck. Bypassing every state institution, six painters, sculptors and filmmakers organised an art exhibition. It was the first and last of its kind. This recapture of public space through art challenged the government’s monopoly on power and triggered similar activities by other artists in the art centres of the GDR. A brave signal to the SED who saw this exhibition as a “counter-revolutionary development”. After that, there were only two options: regress or leave.
Documentary
Der Maler kam aus fremdem Land
1

Der Maler kam aus fremdem Land

Jan 01, 1988

Der Maler kam aus fremdem Land
1988 43 min 1 vues
In this film, Dammbeck explores his own decision to relocate to Hamburg, West Germany, and tries to sort out his past as an artist. In the process, he interviews artists Cornelia Schleime, Hans-Hendrik Grimmling, and Hans Scheib, who had been core members of the alternative art scene in East Germany. They had all worked together in the 8mm scene and organized or planned multimedia and crossover exhibitions, including Tangents I in 1976-77 and the First Leipzig Autumn Salon in 1984. Each left for West Germany in the mid-1980s. What has become of their former artistic strategies and positions? How do they deal with their past? What is the force behind their art now? And how do they cope with the western art market?
Documentary
Herakles Höhle
1

Herakles Höhle

Jan 01, 1990

Herakles Höhle
1990 45 min 1 vues
Despite seeing his film project HERCULES rejected by DEFA Studios in 1983-84, Dammbeck remained fascinated by the Hercules story. He started experimenting with different media combinations, using overpainting, photography, film clips, collage, painting, and movement. These experiments resulted in groundbreaking multimedia collaborations, as well as the film THE CAVE OF HERCULES, in which Dammbeck explores a series of questions inspired by this classical figure. Who was the legendary hero Hercules? Is there a new Hercules today? How are heroes created in a totalitarian society? What are the virtues of heroes? This multi-layered experimental film combines projections of collected film clips, quotations from “The Willful Child” by the Brothers Grimm, and “Hercules 2 or the Hydra” by Heiner Müller, as well as dance scenes with Eva Schmale that were performed – at Kampnagel in Hamburg – specifically for the film.
Documentary
Zeit der Götter
5

Zeit der Götter

Jan 01, 1992

Zeit der Götter
1992 95 min 2 vues
The film explores what transformations in power and politics do to art, how much opportunism can be found in “pure” art and whether fascist symbols can ever regain their aesthetic innocence. The questions it addresses about the relationship between ethics and aesthetics make a valuable contribution to any discussion about art and power.
Documentary
Overgames
6.9

Overgames

Apr 21, 2016

Overgames
2016 164 min 9 vues
The film explores what transformations in power and politics do to art, how much opportunism can be found in “pure” art and whether fascist symbols can ever regain their aesthetic innocence. The questions it addresses about the relationship between ethics and aesthetics make a valuable contribution to any discussion about art and power.
Documentary
Overgames
6.9

Overgames

Apr 21, 2016

Overgames
2016 164 min 9 vues
The film explores what transformations in power and politics do to art, how much opportunism can be found in “pure” art and whether fascist symbols can ever regain their aesthetic innocence. The questions it addresses about the relationship between ethics and aesthetics make a valuable contribution to any discussion about art and power.
Documentary
Das Meisterspiel
6.3

Das Meisterspiel

Oct 30, 1998

Das Meisterspiel
1998 106 min 3 vues
At the Vienna Art Academy in 1994, an unidentified person painted over 27 works by Austrian painter Arnulf Rainer. Rainer had become world-famous for his abstract art and, in particular, for his over-layering of photographs and overpainting of his own and other artists’ works. But who painted over the “overpainter”? Speculation rages: Did he attack his works himself? A year later, an unsigned letter surfaces claiming responsibility for the act directed against Rainer – and modern art in general – and accusing the artist of being complicit with “destructive modernism.” At the same time, Austria is shaken by a series of mail bombs by the Bajuwarian Liberation Army, in response to the supposed threat to Austria’s “German identity.” Are there connections between the overpainting event and the mail bombs? Or is this all just a game? A dream? Or perhaps a hallucination?
Documentary
Dürers Erben
1

Dürers Erben

Aug 26, 1996

Dürers Erben
1996 59 min 1 vues
Dammbeck, himself an alumnus of the Leipzig Academy for Graphic and Book Design, presents the origins of the new German realism developed by the so-called Leipzig School, which took place in the context of socialist-realist dogma in the GDR before the Wall was built in 1961. After the Wall came down in 1989, what happened to the major Leipzig School painters Werner Tübke and Bernhard Heisig, who had been called “Dürer’s red heirs” by West German journalists in the 1970s? In the film, Tübke, Heisig, and former GDR officials who were involved with the cultural scene in Leipzig at the time talk about modernism, conformism, political pressure, party discipline, personal claims, and fading memory. The documentary paints an insightful, often critical picture of early East German art history.
Documentary
Zeit der Götter
5

Zeit der Götter

Jan 01, 1992

Zeit der Götter
1992 95 min 2 vues
The film explores what transformations in power and politics do to art, how much opportunism can be found in “pure” art and whether fascist symbols can ever regain their aesthetic innocence. The questions it addresses about the relationship between ethics and aesthetics make a valuable contribution to any discussion about art and power.
Documentary
Overgames
6.9

Overgames

Apr 21, 2016

Overgames
2016 164 min 9 vues
The film explores what transformations in power and politics do to art, how much opportunism can be found in “pure” art and whether fascist symbols can ever regain their aesthetic innocence. The questions it addresses about the relationship between ethics and aesthetics make a valuable contribution to any discussion about art and power.
Documentary
Einmart
7

Einmart

Nov 27, 1981

Einmart
1981 14 min 3 vues
The very first images in the film set unprecedented standards in East German animated film: a Buñuelean eye that fills the entire screen, real-life sequences of fleeing animals and a sound collage running contrary to what is seen on the screen. This also extends to the protagonist of the film, a head on a foot without a body or arms who pads wearily through the depressing surroundings. Upon seeing various figures in the sky, he begins to copy their movements. To his surprise, he himself manages to grow wings and takes to the skies. But his attempt at flight ends in a sobering manner however, as it is revealed that flying creatures are just restricted in their range.
Animation
Der Mond
1

Der Mond

Jan 01, 1975

Der Mond
1975 6 min 1 vues
The moon swirls happily around, watching strange animals enjoying themselves and dancing to gramophone music in its light. Then, suddenly, the moon falls out of the sky, and a greedy dragon drags it into his cave and forces it to give him light while he eats all the cakes. When the nights stay dark, the animals come up with a plan. Otto Sacher, East Germany’s legendary animation director and co-founder of the DEFA Studio for Animation Film, was the artistic advisor for this film, the first of Dammbeck’s animated works.
Animation
Lebe!
1

Lebe!

Jan 01, 1978

Lebe!
1978 11 min 1 vues
This short film traces the story of a man from birth to old age. The magical dreams of his youth appear from time to time, but daily routine quickly takes over. His striving for material wealth – including a Trabant car, a shelving unit, a boat – leads him to betray his youthful ideals, and he ultimately becomes a slave to his possessions. In the final frames of the film, “LIVE” – written in large white letters – ironically reminds viewers not to forget to follow their dreams.
Der Schneider von Ulm
5

Der Schneider von Ulm

Jan 01, 1979

Der Schneider von Ulm
1979 15 min 1 vues
Dammbeck made this film – a reference to the myth of Icarus and a metaphor for failure, hope, and human exploration – at the invitation of the legendary animator Kurt Weiler. It’s the first example of Dammbeck’s experimental, grotesque, surrealistic style of animation. The idea of flying, which Dammbeck uses here for the first time, will reappear continuously in his next films. THE TAILOR OF ULM established Dammbeck’s reputation among East German animation directors.
Die Entdeckung
5.2

Die Entdeckung

Jan 01, 1982

Die Entdeckung
1982 18 min 3 vues
A little bumblebee is tired of her daily routine and the other boring bumblebees. She flies to the place of her dreams and meets a frog who is also seeking something new. Despite their differences, the two animals become friends and start their adventure together. This children’s animation film was a success in East German cinemas. Older viewers, however, saw it as a metaphor for their longing to escape – daily life, or even their walled-in country.
Animation
Die Flut
1

Die Flut

Jan 01, 1986

Die Flut
1986 10 min 1 vues
Two men sit on an island watching the sunset. When a storm gathers, they decide to build a boat. While one man is mindful of the coming danger and urges speed, the other wastes his time on decorative details. Dammbeck’s last film made in the GDR before he left for West Germany is based on a Chinese fable, with music by internationally known jazz musician Günter “Baby” Sommer.
Animation
Metamorphosen I
1

Metamorphosen I

Jan 01, 1978

Metamorphosen I
1978 7 min 1 vues
For the multimedia exhibition Tangenten I (Tangents I), Dammbeck and co-organizer, sculptor and painter Frieder Heinze had planned to collaborate on a film that would combine non-camera animation with 35mm footage of a train ride between the two Dresden districts of Radebeul and Pieschen. When the exhibition was banned in 1978, Heinze turned to other projects, but Dammbeck continued working on the film by himself. Metamorphoses I—the first experimental film ever to be shown publicly in East Germany—marks the filmic beginning of Dammbeck’s long-term art project the Herakles-Konzept (Hercules Concept).
Animation
1. Leipziger Herbstsalon
1

1. Leipziger Herbstsalon

Jan 01, 2008

1. Leipziger Herbstsalon
2008 22 min 1 vues
In 1984, the “First Leipzig Autumn Salon” took place – a risk and a caesura for Dammbeck. Bypassing every state institution, six painters, sculptors and filmmakers organised an art exhibition. It was the first and last of its kind. This recapture of public space through art challenged the government’s monopoly on power and triggered similar activities by other artists in the art centres of the GDR. A brave signal to the SED who saw this exhibition as a “counter-revolutionary development”. After that, there were only two options: regress or leave.
Documentary
Herakles Höhle
1

Herakles Höhle

Jan 01, 1990

Herakles Höhle
1990 45 min 1 vues
Despite seeing his film project HERCULES rejected by DEFA Studios in 1983-84, Dammbeck remained fascinated by the Hercules story. He started experimenting with different media combinations, using overpainting, photography, film clips, collage, painting, and movement. These experiments resulted in groundbreaking multimedia collaborations, as well as the film THE CAVE OF HERCULES, in which Dammbeck explores a series of questions inspired by this classical figure. Who was the legendary hero Hercules? Is there a new Hercules today? How are heroes created in a totalitarian society? What are the virtues of heroes? This multi-layered experimental film combines projections of collected film clips, quotations from “The Willful Child” by the Brothers Grimm, and “Hercules 2 or the Hydra” by Heiner Müller, as well as dance scenes with Eva Schmale that were performed – at Kampnagel in Hamburg – specifically for the film.
Documentary
Der Maler kam aus fremdem Land
1

Der Maler kam aus fremdem Land

Jan 01, 1988

Der Maler kam aus fremdem Land
1988 43 min 1 vues
In this film, Dammbeck explores his own decision to relocate to Hamburg, West Germany, and tries to sort out his past as an artist. In the process, he interviews artists Cornelia Schleime, Hans-Hendrik Grimmling, and Hans Scheib, who had been core members of the alternative art scene in East Germany. They had all worked together in the 8mm scene and organized or planned multimedia and crossover exhibitions, including Tangents I in 1976-77 and the First Leipzig Autumn Salon in 1984. Each left for West Germany in the mid-1980s. What has become of their former artistic strategies and positions? How do they deal with their past? What is the force behind their art now? And how do they cope with the western art market?
Documentary
Bruno & Bettina
1

Bruno & Bettina

Jan 01, 2018

Bruno & Bettina
2018 105 min 1 vues
Masao Adachi, the author and director of experimental works and pinku-eiga in the 1960s, was a member of the Japanese New Left that shifted from being a filmmaker to a guerrilla fighter. In 1974, he joined the Japanese Red Army in Lebanon, which worked closely with the Popular Front for the Liberation of Palestine. Filmmaker Lutz Dammbeck met Adachi in Tokyo in 2018 and talked with him about a wide range of topics, including art, revolution, the influence of western avant-garde art and American underground; the Japanese Red Army; collaboration with secret services; the role of the Left after 1968; and the reasons for failures of leftist ideas and strategies.
Documentary
Bruno & Bettina
1

Bruno & Bettina

Jan 01, 2018

Bruno & Bettina
2018 105 min 1 vues
Masao Adachi, the author and director of experimental works and pinku-eiga in the 1960s, was a member of the Japanese New Left that shifted from being a filmmaker to a guerrilla fighter. In 1974, he joined the Japanese Red Army in Lebanon, which worked closely with the Popular Front for the Liberation of Palestine. Filmmaker Lutz Dammbeck met Adachi in Tokyo in 2018 and talked with him about a wide range of topics, including art, revolution, the influence of western avant-garde art and American underground; the Japanese Red Army; collaboration with secret services; the role of the Left after 1968; and the reasons for failures of leftist ideas and strategies.
Documentary
Bruno & Bettina
1

Bruno & Bettina

Jan 01, 2018

Bruno & Bettina
2018 105 min 1 vues
Masao Adachi, the author and director of experimental works and pinku-eiga in the 1960s, was a member of the Japanese New Left that shifted from being a filmmaker to a guerrilla fighter. In 1974, he joined the Japanese Red Army in Lebanon, which worked closely with the Popular Front for the Liberation of Palestine. Filmmaker Lutz Dammbeck met Adachi in Tokyo in 2018 and talked with him about a wide range of topics, including art, revolution, the influence of western avant-garde art and American underground; the Japanese Red Army; collaboration with secret services; the role of the Left after 1968; and the reasons for failures of leftist ideas and strategies.
Documentary
Bruno & Bettina
1

Bruno & Bettina

Jan 01, 2018

Bruno & Bettina
2018 105 min 1 vues
Masao Adachi, the author and director of experimental works and pinku-eiga in the 1960s, was a member of the Japanese New Left that shifted from being a filmmaker to a guerrilla fighter. In 1974, he joined the Japanese Red Army in Lebanon, which worked closely with the Popular Front for the Liberation of Palestine. Filmmaker Lutz Dammbeck met Adachi in Tokyo in 2018 and talked with him about a wide range of topics, including art, revolution, the influence of western avant-garde art and American underground; the Japanese Red Army; collaboration with secret services; the role of the Left after 1968; and the reasons for failures of leftist ideas and strategies.
Documentary