Manuel Correia

Tony, un trapéziste, trouve un emploi dans un petit cirque. Lorsqu'une tempête emporte le chapiteau, Tony reste par amour pour la belle Belmira qui pourrait être cavalière... s'ils n'avaient pas vendu le cheval. Ils jouent en plein air, dorment à la belle étoile, économisent chaque centime, et bientôt il faut acheter une nouvelle tente... à crédit. Mais Belmira n'est pas heureuse, elle rêve d'une vraie maison, tandis que Tony est fasciné par le cirque. Et les jours sombres sont de retour.

Meia-Lua used to be a sailor, but he now makes a poor living smuggling. He is a cynical man, who doesn't care for Ana or for the child they had together. He lives with the beautiful Marlene who dances in the bars. Gull spends her whole days lulling a doll in her arms, and she waits for her love that will rise from the depths of the sea. The deaf musician Sparrow watches over her, in his despaired love and long-held wish of becoming a sea captain. There is a dispute down the piers, there is a crime that might be just an accident, there is a bad conscience that turns sour, there is a boat full of poor wretches like a rocking lullaby, a baby that passes from arms to arms, a clumsy beggar that finds some work, a courthouse of tramps... From this expressionist account that has unexpected comical moments, the censors from Salazar's regime cut away 20 minutes that were never to be found again.

Having abandoned his family due to religious differences, Dr Silveira moves to Coimbra, where he dedicates himself to his patients, and rejecting any attempts at reconciliation. But, when a terrible accident happens to his son, he must seek a resolution to the debate between faith and science.

Luisa and Manuel begin the existence of married, having only their dream and hope. He judges himself a Tarzan in the jungle of life, able to face all the threats, next to his companion.