Carlos Wallenstein

Manuel and Pedro have different approaches to love. Manuel suffers a disgust that makes him sullen, and enters the priesthood. Pedro keeps on in his carefree ways, and commits a robbery. Manuel knows the robber is Pedro, but he learned it in Catholic confession. To keep his vows as a priest, he is prepared to be arrested.

Estefânia is an old, rich, strict catholic woman, and when she sets her eyes on a couple of servants who have no means to bring up properly their youngest son, António, she decides to move her influences in order to make a priest out of him. The parents accept it, the local priest and even the Seminar's rector accept it, and António accepts it - if not for piety, for obeyance to his parents. Once time goes by, and António is out of rural misery and into the prison-like system of a seminar, doubts and anguishes mount within him.

Passion and ambition interplay to bring dissention and tragedy into the home of an old fisherman married to a much younger woman.

Jim, jeune pianiste, accompagne sur scène Bill, un vieux trompétiste de jazz ayant toujours refusé d'être enregistré. Jim tombe amoureux d'une femme, Lucrecia, poursuivie par un tueur et se fâche avec Bill à qui il avoue l'avoir enregistré. L 'hiver venu, apprenant que Bill est malade, Jim se rendra à Lisbonne et, grâce au vieil homme, retrouvera Lucrecia et s'enfuira avec la jeune femme après avoir tué le gangster qui la menaçait...

Costa is travelling from Africa to London, and wishes very much to his nephew Amadeu, and see by himself how well he has been invested large sums of money he is been sending him. Amadeu 'borrows' for 24 hours a wife, a villa, a car, and a servant - for he has been lies to his uncle all the time. All goes well. But, Costa decides to prolong his stay for two weeks...

In a unique approach to what amounts to four pseudo-morality plays, director Monique Rutler has a street entertainer with hand puppets summarize the characters and idea of each story. The first sketch is about a young man who shines shoes for a living, and tries to keep up a relationship with two women while convincing each she is his only true love. The next story is about a man who beats up his wife when he is drunk, and sells furs for a living. One day, as she is riding in the back of his truck with the furs, he hits a bad patch and she and some furs fall out. The question is, will the woman be enterprising and leave the jerk - or not? The third tale concerns a woman looking into how much control a prostitute has over her clients, and to really find out, she becomes a prostitute herself for awhile - leading to some quite unexpected situations. The last segment handles the uglier side of the life styles of the rich and famous.

On the verge of being expelled from his home for not paying his debts, a government employee is mistaken for an inspector and decides to use that as an advantage.

Dévoré par la passion du jeu, un homme flambe dans un casino de l'ile de Madère. Un soir, il rencontre une jeune femme qui lui porte bonheur.

During the century of the Spanish Gold, Doña Prouhèze, wife of a nobleman, deeply loves Don Rodrigo, who is forced to leave Spain and go to America. Meanwhile Prouhèze is sent to Africa to rule the city of Mogador. Ten years later Rodrigo leaves America and travels to Africa in search of Prouhèze to find out that she died and eventually meeting her daughter.

José Pereira, a young medical graduate, meets a young and ardent Maria Eugénia. The time is the eve of the Portuguese Revolution, on 24th April 1974 and only a short time elapses between courtship and marriage. The young pair are very much in love, but José begins to have doubts about the "honesty" of such intense feelings of love, feelings which are too intense (or hot) to him . If Maria Eugénia is like this with him, will she be the same with other men?In the meantime, the Revolution takes its course. José, who previously had been persecuted because of his opposition against the old regime, now feels "left behind" and frustrated.

15th century. D. Afonso, an old jealous nobleman, demands that all stay away when his wife, D. Leonor, goes to church to pray to Our Lady of Mercês. Another nobleman, D. Rui, sees her and fells under the spell or he beauty. D. Afonso orders his wife to retreat to Quinta do Cabril, and decides, one night, to stab his rival to death. It is then that a hanged man decides to intervene. - MOTELx