The Preservation Man is about useless objects but here they're part of the artist Bruce Lacey's collection of random junk that is incorporated into his art with their original function is irrelevant. Sensibly, Russell and commentator Huw Wheldon keep analysis to a minimum, preferring to use the film as an excuse to spend a quarter of an hour in Lacey's amiable company.
A portrait of the life and work of the great Hungarian composer Béla Bartók, exploring both his music and his passionate interest in his country's folklore.
A documentary about the BBC Radiophonic Workshop, responsible for creating some of the most memorable television and radio music in British popular culture, including "The Hitchhiker's Guide to the Galaxy" and Doctor Who (1963).
A study of Antoni Gaudí's architecture (especially the Church of the Holy Trinity in Barcelona), his sources of inspiration and his influence on Picasso. (BFI)
Pop Goes the Easel was Ken Russell’s first full-length documentary for the BBC’s arts series Monitor. It focused on 4 British Pop Artists - Peter Blake, Peter Philips, Pauline Boty and Derek Boshier.
Peter Blake explores his passion for pop icons, Peter Phillips is featured with his cool companions, Derek Boshier voices his concerns with the American influence on British life and culture, and Pauline Boty, Britain's great female pop art painter who was to die only four years later, performs in a short dramatic dream piece.
Immortalisée par la silhouette d'Alfred Hitchcock apparaissant sur l'écran au son de la Marche funèbre d'une marionnette de Charles Gounod, cette série est en fait une anthologie de petites histoires noires, à la chute souvent inattendue. Au début de chaque épisode et avant d'en faire la présentation, toujours teintée d'humour noir, Alfred Hitchcock saluait les téléspectateurs d'un sévère « Bonsoir ». Il revenait en épilogue pour exposer sa morale de l'histoire. (source : Wikipédia)