Janez Jerman

Peter is the dark brooding type. Leading a vacuous, shapeless life, he longs for the ideal woman, while at the same time, half heartedly continuing with his habitual girlfriend, Marusa , who is considerably older, a fact that Peter is quick to point out. As an aging actress, struggling for parts in her local theatre, she oozes insecurity and breathes uncertainty. Together, they spend their time in the local restaurant, smoking, drinking and trading verbal blows. "I bet you'll just end up a drunk," she tells Peter each time. Peter just grins and tells her how old she looks. Compounded by a thankless director who soon shows her the door, Marusa finds her identity being squeezed harder and harder against the wall. To escape, Peter and Marusa dream...

The film is a portrait of the Novak family: the results of the marriage between the farmer Novak and a townswoman of German descent, their children and their tragic fates and the life of Andrej - the Novaks' only surviving child. Andrej recalls the days of his youth and the wartime years, in which the family slowly breaks up due to different political beliefs and world-outlooks. In addition to the loss of many members of his family, Andrej must also face the fact that his father has disowned him and his girlfriend left him. Despite all, however, he keeps alive his hopes of a better future, which, to him, is embodied by the beautiful Iza.

The only true friend he had was an wolf. Or was it a dog?

A melodramatic story of Lucia, who serves as a charwoman on the Podlogar family's rich farm, and makes a fuss among householder's sons, as she becomes pregnant with one of them. A decision on whether one should be forced into marriage with the pregnant charwoman and her child, ends tragically. Will Lucia be able to sustain psychological pressure, contempt and pity of the Podlogar brothers?

Three stories connected by the motifs of water and death told in neorealist style.

Slovenian countryside in the 18th century. The future lord of the manor, Ožbej, falls in love with the new maid, Meta. His family, however, is opposed to the match and successfully plots to keep the young couple apart. Although Meta must endure scorn and degradation at the hands of the villagers, Ožbej still cannot tear himself away from her. Five children are born of their union, all of whom are looked upon as bastards by the manor folk. Although driven by desperation to return to the manor, Ožbej still harbours the hope that he will one day be able to live together with his love. Can he survive without the woman he loves and without his children? Will he be able to survive at all?