Kadir Sözen

In the Kurdish village "Youngest Heart" not only the walls are unconventional, but also the people. They care about their domestic animals and are sons of the soil. The outside World is of little interest to the villagers. Thirteen-year-old "Devil" Pascha and his gang are always to blame for anything that adds to the chaos in the village. With enthusiasm and cheekiness, he plays pranks on the others, be it the Mullah of the Village, his mother or his sister. His wild temperament and tricks only lead to more disorder between the children and the adults in the village. One day a fat German soprano singer visits the village. She wants to live there for a while to write her doctoral thesis on Kurdish folk dancing and singing. The feudal lord Ali Aga, the Mullah, and in fact all the men, dream of marrying the yellow-haired woman. She does not understand what is going on in the village, but "Devil" Pascha does and uses this get up to new mischief.

In the Kurdish village "Youngest Heart" not only the walls are unconventional, but also the people. They care about their domestic animals and are sons of the soil. The outside World is of little interest to the villagers. Thirteen-year-old "Devil" Pascha and his gang are always to blame for anything that adds to the chaos in the village. With enthusiasm and cheekiness, he plays pranks on the others, be it the Mullah of the Village, his mother or his sister. His wild temperament and tricks only lead to more disorder between the children and the adults in the village. One day a fat German soprano singer visits the village. She wants to live there for a while to write her doctoral thesis on Kurdish folk dancing and singing. The feudal lord Ali Aga, the Mullah, and in fact all the men, dream of marrying the yellow-haired woman. She does not understand what is going on in the village, but "Devil" Pascha does and uses this get up to new mischief.

Tomix, Tam-Tam and Mützen-Jacky are children of the street earning their living with music. They travel from one town to the other with their instruments to perform in the streets and in restaurants. Making music is the only thing they have ever learned. They are led by old Mahmud, an alcoholic. He is the one who concludes the business and takes in the money.

Tomix, Tam-Tam and Mützen-Jacky are children of the street earning their living with music. They travel from one town to the other with their instruments to perform in the streets and in restaurants. Making music is the only thing they have ever learned. They are led by old Mahmud, an alcoholic. He is the one who concludes the business and takes in the money.

Tomix, Tam-Tam and Mützen-Jacky are children of the street earning their living with music. They travel from one town to the other with their instruments to perform in the streets and in restaurants. Making music is the only thing they have ever learned. They are led by old Mahmud, an alcoholic. He is the one who concludes the business and takes in the money.

Tomix, Tam-Tam and Mützen-Jacky are children of the street earning their living with music. They travel from one town to the other with their instruments to perform in the streets and in restaurants. Making music is the only thing they have ever learned. They are led by old Mahmud, an alcoholic. He is the one who concludes the business and takes in the money.

Tomix, Tam-Tam and Mützen-Jacky are children of the street earning their living with music. They travel from one town to the other with their instruments to perform in the streets and in restaurants. Making music is the only thing they have ever learned. They are led by old Mahmud, an alcoholic. He is the one who concludes the business and takes in the money.

Tomix, Tam-Tam and Mützen-Jacky are children of the street earning their living with music. They travel from one town to the other with their instruments to perform in the streets and in restaurants. Making music is the only thing they have ever learned. They are led by old Mahmud, an alcoholic. He is the one who concludes the business and takes in the money.

Love and Revolution is a story that puts the years of youth at its center. These are the years in which humankind feels the sense of belonging, the urge to take root in life in the strongest way. This is a period in which the existing identities are not adequate and all kinds of thirst (intellectual, sexual, psychological, political, etc.) disturb the existence. The kernel of the sense of youth, which gives the movie its spirit, is desire. The desire for Love and Revolution.