John Cummings

Setlist: White Noise, I'm Jim Morrison, I'm Dead, Rano Pano, How to Be a Werewolf, San Pedro, 2 Rights Make 1 Wrong, Hunted by a Freak, Auto Rock, Mogwai Fear Satan, Mexican Grand Prix, Batcat

A new documentary explores the rise of Scotland's independent music scene in the '90s, led by cult label Chemikal Underground. On the journey, we revisit a defining, chaotic trip early in the musicians' careers, re-staging a concert in Brittany that connects the characters in life (and on stage) for the first time in many years.

Le réalisateur Jonathan Caouette s'est plongé dans dix ans d'images amateurs tournées au Festival All Tomorrow's Parties. Créé en 1999 par Belle & Sebastian, ce festival alternatif post-rock tire son nom d'une chanson du Velvet Underground. Sa particularité ? Les programmateurs, qui changent chaque année, sont de vrais artistes, comme Sonic Youth, Vincent Gallo ou Pavement. Ils choisissent les groupes qu'ils ont envie d'entendre et avec lesquels ils souhaitent jouer, loin des contingences commerciales d'autres festivals plus importants.

Scottish post-rock band Mogwai perform on Hangar-4 stage at the Flughafen Tempelhof Airport (decommissioned), Berlin, Germany, 10th September 2011.

Using only archive film and a new musical score by the band Mogwai, Mark Cousins presents an impressionistic kaleidoscope of our nuclear times – protest marches, Cold War sabre-rattling, Chernobyl and Fukishima – but also the sublime beauty of the atomic world, and how x-rays and MRI scans have improved human lives. The nuclear age has been a nightmare, but dreamlike too.

Using only archive film and a new musical score by the band Mogwai, Mark Cousins presents an impressionistic kaleidoscope of our nuclear times – protest marches, Cold War sabre-rattling, Chernobyl and Fukishima – but also the sublime beauty of the atomic world, and how x-rays and MRI scans have improved human lives. The nuclear age has been a nightmare, but dreamlike too.

Using only archive film and a new musical score by the band Mogwai, Mark Cousins presents an impressionistic kaleidoscope of our nuclear times – protest marches, Cold War sabre-rattling, Chernobyl and Fukishima – but also the sublime beauty of the atomic world, and how x-rays and MRI scans have improved human lives. The nuclear age has been a nightmare, but dreamlike too.