Vera Kholodnaïa

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Дети века
4.7

Дети века

Oct 03, 1915
The picture tells the story of Maria, a devoted wife of a bank employee. The couple has a cozy life; they have a baby but he is cared for by their maid so Maria can spend her time doing terrific things like going shopping. During one of these consumer afternoons, Maria meets by chance an old friend, Lidia, who will introduce her to exclusive idle class social circles. Soon Maria's beauty attracts the interest of Lebedev, a rich old libertine. From that point on Maria suffers continual sexual harassment (worthy of inclusion in any silent film encyclopedia article on beleaguered heroines) which she resists for a time. In the end, however, she falls into his bourgeois claws.
Drama
Миражи
5

Миражи

Jan 02, 1916
Marianna advertises for work as a reader and is employed by the reclusive millionaire Dymov. Appreciative of her sensitive, artistic nature, and of her youthful innocence and purity, Dymov is protective of Marianna and shields her from the attentions of his philandering playboy son. Marianna confesses to her fiancé Sergei that, at times, she feels deeply conflicted, drawn by the seductive lure of wealth and luxury. When her protector Dymov dies, his son begins to pursue her. Can Marianna resist her attraction to the opulent lifestyle that Dymov's son offers?
Drama
Жизнь за жизнь
5.4
Wealthy Mrs. Khromova has a natural daughter, Musya, and an adopted daughter, Nata. The merchant Zhurov is in love with Nata, and hopes to marry her, but she is non-committal.
Drama
Молчи, грусть... молчи
5.8
Paula is a circus performer married to the alcoholic clown-acrobat Lorio. Lorio's heavy drinking leads to him being severely injured during a performance. This forces Paula and the now-crippled Lorio to become street musicians. This film formerly ran to 81 minutes – regrettably, the second half is considered lost.
Drama
Синема в России
4
Documentary film about early years of Russian cinema: its first directors, cameramen, producers and actors. Includes rare fragments of pre-revolutionary feature films, newsreels and Starewicz's animation.
Documentary
Остров мёртвых
6
The Island of the Dead is a film about the demise of the Russian Epocha Modern. The symbol of this culture was the legendary Russian film star Vera Kholodnaya, who evoked a poetic image of the young urban woman on the silver screen. Her death in 1919, shrouded in tragedy and mystery, put a symbolic end to the pre-Revolutionary period. The Island of the Dead is composed of fragments from numerous films from this period, juxtaposed with other contemporary artistic expressions such as music and painting. Kovalov shows convincingly how the fragile beauty of the Russian Epocha Modern had to make way for the pressure of Futurism, Constructivism and other 'progressive trends', and how these '-isms' were then also relegated to the melting pot to be remoulded by totalitarian norms.
Drama
Живой труп
10

Живой труп

Oct 14, 1918
"The Living Corpse" - Fedor Protasov is tormented by the thought that his wife Liza never really made a clear choice between him and Victor Karenin, a more conventional rival for her hand. He wants to kill himself, but doesn't have the nerve. Running away from his life, he falls in with Gypsies, and into a sexual relationship with a Gypsy singer Mascha. Meanwhile, his wife Liza, presuming him dead, marries the other man, Victor.
Drama