Rosalind Plowright

Not The Messiah (He's a Very Naughty Boy) is a comic oratorio based on Monty Python's Life of Brian, which retells the tragic tale of Mandy, impregnated by a Roman soldier, giving birth to Brian, a reluctant revolutionary of the People's Front of Judea who falls in love with Judith, gets mistaken for a Messiah and is arrested by the Romans and sentenced to be crucified. It ranges in reference from Handel, through a naughty Mozart duet, to the Festival of Nine Carols, Bob Dylan, and the classic finale "Always Look on the Bright Side of Life".

David Rendall, John Tomlinson, Janet Baker, Peter Butler, Rosalind Plowright, Angela Bostock, Glenn McKeown, Giuseppe Bardari, Tom Hammond, Alan Opie, Leigh Maurice

Hector Sandoval, Norma Fantini, Scott Hendricks, Tania Kross, and Rosalind Plowright star in this production of the Giordano opera performed by the Vienna Symphony, Bregenz Festival Chorus, and Prague Philharmonic Choir conducted by Ulf Schirmer.

tt0253843. Il Trovatore (1985) Verona. Verdi / Italian. Reynald Giovaninetti conducts the Orchestra of the Arena di Verona in a performance of Verdi's 'Il Trovatore'. The international cast includes Giorgio Zancanaro and Rosalind Plowright. The Count Di Luna believes that his younger brother was murdered years before by a vengeful gypsy, but still hopes that he may be alive. When he attempts to court the beautiful Leonora, he is enraged to discover that she has a lover - the troubadour, Manrico. Manrico and the Count duel, and afterwards Manrico reveals to Azucena, the woman he believes to be his mother, that when he had the opportunity to kill the Count he felt something holding him back.

At a glittering party in 18th-century Paris, the poet Andréa Chenier delivers an impassioned denunciation of Louis XVI. Five years later, the Revolution has given way to the Terror, transforming the power balance between Chénier, his beloved Maddalena, and Gérard, the man who could destroy him...

The ROH live broadcast from Tuesday 11 June 2024.

“Kaufmann is performing the title role for the first time, and it’s hard to imagine him bettered. His striking looks make him very much the Romantic and romanticised outsider of Giordano’s vision. His voice, with its dark, liquid tone, soars through the music with refined ease and intensity: all those grand declarations of passion, whether political or erotic, hit home with terrific immediacy.” – The Guardian Presented in its Covent Garden premiere in January 2015, this staging – directed by David McVicar and conducted by the Royal Opera’s Music Director, Sir Antonio Pappano – shows a bloody tricolour daubed with the words “Even Plato banned poets from his Republic” – written by Robespierre on the death warrant of the historical Chénier, a poet and journalist sent to the guillotine in 1794 for criticising France’s post-revolutionary government.

Cette version délicieusement sombre du conte de fées bien-aimé des frères Grimm, qui s'adresse à un public de tous âges, faisait partie de la série de spectacles de vacances en langue anglaise du Met. Alice Coote et Christine Schäfer interprètent les célèbres frères et sœurs perdus dans les bois, qui luttent contre la sorcière vorace - une interprétation loufoque du ténor Philip Langridge - tandis que l'orchestre du Met, sous la direction de Vladimir Jurowski, se délecte de la riche partition d'inspiration folklorique.

A rare opportunity to see Barber’s Pulitzer Prize-winning work – opera from the age of Hitchcock, with an atmospheric score and tense, psychological twists. Abandoned by her lover Anatol, Vanessa retreats from the world, waiting and hoping with only her mother and her niece Erika for company. But when, 20 years later, Anatol’s handsome young son arrives unexpectedly, he shatters the calm of this shuttered household of women. Past and present love collides, and the aftershocks threaten to destroy them all.

This work won Samuel Barber his first Pulitzer Prize for music: the Glyndebourne Festival presents Vanessa, a masterpiece premiered in 1958 based on a libretto by the composer's close friend, Bian Carlo Menotti. Set to one of the most beautiful scores of the 20th Century, Vanessa tells the haunting story of a woman who, once abandoned by her lover Anatol, retreats from the world to await his return, living in isolation with her mother and niece. Two decades later, a man arrives who shatters the delicate balance of their home… Olivier Award-winning stage director Keith Warner is joined by a brilliant cast and the London Philharmonic under Kevin Lin for this musical and dramatic masterpiece of Hitchcockian psychological twists!

At the end of 2013, the year that marked the 50th anniversary of Francis Poulenc’s death, his gripping and moving operatic masterpiece, Dialogues des Carmélites was staged in Paris by director Olivier Py with a cast featuring some of France’s finest female singers – Patricia Petitbon, Véronique Gens, Sandrine Piau and Sophie Koch – under the baton of Jérémie Rohrer. Le Figaro described the production as “a thing of wonder,” while Le Monde called it: “A masterpiece ... the most exciting and consummately achieved show to have been seen on a Parisian stage in a long time … This was great work, magisterial and unforgettable.” “The memorable Dialogues des Carmélites at the Théâtre des Champs-Elysées marked the climax of commemorative activities for the 50th anniversary of Poulenc’s death,” wrote Opera magazine of the production of Poulenc’s gripping and moving opera that was staged by the French director Olivier Py in Paris in December 2013.

Reeling from the death of his beautiful mother, Lysander Hawkley, semi-pro Tennis ace, moves from one married woman to another, whilst amounting debts he has no hope of paying off. Until his best friend, Ferdie, hits on a plan - Romance the wives, make the husbands jealous, but get the wives to pay for the privilege. Lysander agrees, and does well, until he meets Kitty Rannaldini, the bullied wife of the greatest conductor in the world. As he gets to know her, Lysander realises he feels more for Kitty than he'd like to admit. The town of Paradise will never be the same again!

Two sisters who set up a London fashion house for society of the early 1920s.

Le monde est à vous est une émission télévisée de divertissement conçue et présentée par Jacques Martin entre 1987 à 1997 sur la chaine Antenne 2 (devenue France 2 en 1992). Elle succédait à l'émission Tout le Monde le sait (1985-1986) dans la tranche Dimanche Martin. Il y avait trois candidats qui devaient répondre à des questions sur des sujets multiples: celui qui enregistrait le plus de points décrochait le voyage de son choix. Il y avait tous types de variété, chanson française, internationale mais également de la musique classique. Et assez fréquemment Jacques Martin interprétait une chanson qui rappelait l'époque de sa jeunesse (il avait 55 ans en 1988). Cette émission a été remplacée en septembre 1997 par Sous vos applaudissements.