Amanda Harris

Henry VI: Part One Filmed as a rehearsal run through performance during the Covid 19 pandemic, Henry VI: Part One introduces us to a young and reclusive Henry, who is proclaimed King of England after the death of his father, Henry V. Directed by Gregory Doran and Owen Horsley.

Adaptation of the novel by Charles Dickens.

Blood is thicker than water in this tiny Texas town. After two centuries of Vampire blood lust one man becomes a hero...without a clue.

When his estranged wife is brutally attacked by a burglar, a law-abiding locksmith unconvinced that the junkie charged for the crime is the real attacker starts his own investigation.

Live from Stratford-upon-Avon. The Royal Shakespeare Company presents The Taming of the Shrew. Turning Shakespeare’s fierce, energetic comedy of gender and materialism on its head to offer a fresh perspective on its portrayal of hierarchy and power.

Live from Stratford-upon-Avon. The Royal Shakespeare Company presents Measure for Measure.

L'inspecteur Barnaby, accompagné de son adjoint, enquêtent sur les crimes commis dans la région anglaise fictive du Midsomer...

Jeeves and Wooster is a British comedy-drama series adapted by Clive Exton from P.G. Wodehouse's "Jeeves" stories. It aired on the ITV network from 1990 to 1993, starring Hugh Laurie as Bertie Wooster, a young gentleman with a "distinctive blend of airy nonchalance and refined gormlessness", and Stephen Fry as Jeeves, his improbably well-informed and talented valet. Wooster is a bachelor, a minor aristocrat and member of the idle rich. He and his friends, who are mainly members of The Drones Club, are extricated from all manner of societal misadventures by the indispensable valet, Jeeves. The stories are set in the United Kingdom and the United States in the 1930s.

The daily lives of the men and women at Sun Hill Police Station as they fight crime on the streets of London. From bomb threats to armed robbery and drug raids to the routine demands of policing this ground-breaking series focuses as much on crime as it does on the personal lives of its characters.

Set during the 1960s in the fictional North Yorkshire village of Aidensfield, this enduringly popular series interweaves crime and medical storylines.

Oliver Twist is a 1985 BBC TV serial. It was directed by Gareth Davies, and adapted by Alexander Baron from the novel by Charles Dickens. It follows the book more closely than any of the other film adaptions.

The Vice is an ITV police drama about the Metropolitan Police Vice Unit. It ran for five short series between 1999 and 2003. It tells the story of the London Metropolitan police force's vice squad, where prostitution, underage sex, and other such organized crime are regular occurrences. Most episodes end in such a way where the main villain is caught but often not in a 'naturally' concluded way that you would expect with other TV dramas, and often ending an episode with more questions unanswered than answered. The small dedicated team is led by Detective Inspector Pat Chappel who struggles to manage the balance between his home life and his work life - as do the other members of the team. Working in the seedy underworld leads to a continual dilemma for the team - the tension between the Vice Squad and the vice-related crimes that they investigate runs throughout the series and gives the show a rich viewing experience. The programme often blurs the line of the team staying on the right side of the law, as almost every member of the team at different points submits briefly or permanently to the temptations of either sex, drugs, money or honey traps. Sometimes with drastic consequences.

Campion is a television show made by the BBC, adapting the Albert Campion mystery novels written by Margery Allingham. Two series were made, in 1989 and 1990, starring Peter Davison as Campion, Brian Glover as his manservant Magersfontein Lugg and Andrew Burt as his policeman friend Stanislaus Oates. A total of eight novels were adapted, four in each series, each of which was originally broadcast as two separate hour-long episodes. Peter Davison sang the title music for the first series himself; in the second series, it was replaced with an instrumental version.