Harold Ford, Jr.

Filmed over the last six months of the 2000 Presidential election, Phillip Seymour Hoffman starts documenting the campaign at the Republican and Democratic National Conventions, but spends more time outside, in the street protests and police actions than in the orchestrated conventions. Hoffman shows an obvious distaste for money politics and the conservative right. He looks seedier and more disillusioned the campaign progresses. Eventually Hoffman seems most energized by the Ralph Nader campaign as an alternative to the nearly indistinguishable major parties. The high point of the film are the comments by Barney Frank who says that marches and demonstrations are largely a waste of time, and that the really effective political players such as the NRA and the AARP never bother with walk ins, sit-ins, shoot-ins or shuffles. In the interview with Jesse Jackson, Hoffman is too flustered to ask all of his questions.

Trevor Noah et l'équipe de la plus fausse information au monde abordent les plus grandes histoires de l'actualité, de la politique et de la culture pop.

ABC's Sunday morning political affairs program, currently hosted by George Stephanopoulos.

Chaque semaine, Bill Maher s'entoure d'un panel d'invités qui comprend des politiciens, des acteurs, des comédiens, des musiciens et autres, pour discuter de ce qui se passe dans le monde.

An experimental fusion of reality and fiction--a fly-on-the-wall look at government, filmed in and around the corridors of power in Washington. The series ventures inside the world of powerful political consultants--a world that few people ever experience first-hand. Produced on location in Washington, D.C., the largely improvised ten-episode series combines fictional characters with appearances by real-life political figures, all centered around the biggest political news of the week.