Christina Crawford

Jason Gould satirizes coming out in Hollywood in Inside Out, starring Alexis Arquette and papa Elliot Gould. Lane Janger's Just One Time was a festival favorite recently expanded into a feature film that turns the tables on a groom-to-be and his fantasies of sex with two women. Bradley Rust Gray's Hitch follows two attractive young guys on a dizzying road trip that leads them toward sexual self-discovery. David Fournier's Majorettes in Space is a witty French spoof of post-modern sex, romance, relationships, the Pope and baton-twirling majorettes. And, Gregory Cooke's $30 is the bittersweet story of a closeted teen presented with a young prostitute on his 16th birthday.

In this documentary on the life of Joan Crawford, we learn why she should be remembered as the great actress she was, and not only as "mommie dearest." caricature she has become. Friends, fellow actors, directors, and others reminisce about their association with her, and numerous film clips show off her talent from her start in silents to bad science fiction/horror movies at the end of her career.

The private Joan Crawford fought as hard to create a normal family life as she did to establish her career. She forged her own path and to that end became a single parent, eventually adopting and raising four children. Like many parents, she picked up a 16mm camera and began filming both the special and the ordinary events of her family’s life. These home movies (ca. 1940–42) present that which one rarely gets to see: a larger-than-life personality at home, unadorned, just being herself—and often in color, at a time when her feature films were black and white. Crawford filmed most of the home movies herself; when she is on camera, it is unclear who is behind it.

A film that shows how "hard" it is to be son of celebrities.

Chronicles the life of William Haines, Hollywood's first openly gay movie star, who sacrificed his career to live openly with his lover.

Richard Frost, un distributeur de films, se laisse séduire par une call-girl, Jeannie, au cours d'une soirée arrosée entre copains. En rentrant ivre mort chez lui, il se dispute avec sa femme Maria, avant de lui annoncer son intention de divorcer et retourne auprès de Jeannie. Le soir même, Maria fait de son côté la rencontre de Chet lors d’une viré en boîte de nuit. Au petit matin, Richard fait son retour au foyer familial tandis que Chet se sauve par la fenêtre. Le couple ne peut plus reculer devant l’inexorable face à face qui remettra en cause leurs quatorze ans de vie commune.

Glenn Taylor a perdu sa mère très jeune et, dans la ferme familiale, ses relations avec son père alcoolique et son frère Hank sont tendues. Ayant frappé Hank au cours d'une altercation et pensant l'avoir tué, Glenn s'enfuit.

Après avoir reçu une balle dans la colonne vertébrale, le redoutable policier Robert Dacier (Robert T. Ironside en version originale) se retrouve dans un fauteuil roulant, privé de l'usage de ses jambes. Il est entouré d'une équipe efficace avec laquelle il continue à mener ses enquêtes policières.

La série est basée sur le téléfilm Sweet, Sweet Rachel1 de 1971, qui devait être le pilote de la série. Mais les personnages et le concept ont été retravaillés entre-temps. Plus tard les épisodes du Sixième Sens ont été raccourcis et réutilisés en épisodes additionnels à la série Night Gallery lors de sa diffusion en syndication.

Medical Center is a medical drama series which aired on CBS from 1969 to 1976. It was produced by MGM Television.

The Mike Douglas Show is an American daytime television talk show hosted by Mike Douglas that originally aired only in the Cleveland area during much of its first two years on the air. It then went into syndication in 1963 and remained on television until 1982. It was distributed by Westinghouse Broadcasting and for much of its run, originated from studios of two of the company's TV stations in Cleveland and Philadelphia.