Francesca Cuttica

Hiver 1999, Camilla, jeune étudiante en littérature russe, s'installe dans une maison isolée de Venise et rencontre Silvestro. Ce dernier utilise un prétexte pour passer la nuit chez elle. Ils se croiseront pendant dix hivers à Venise ou Moscou. Plusieurs obstacles font qu'ils ne se mettent pas ensemble, alors qu'une attirance réciproque les lie.

Three young musicians think they have luck on their side when they score the keys to a beautiful villa outside of Rome for the weekend. Unfortunately, they soon discover that they are not alone.

Venise, 3 janvier 1982. Sur le chemin qui le mène vers la prison de Rovigo, Sergio se remémore ses débuts dans la clandestinité, les débats fiévreux et engagés avec ses camarades, puis le passage à la lutte armée au sein de "Prima Linea", l'une des principales cellules terroristes d'extrême-gauche.Il se rappelle surtout sa rencontre avec Susanna, la femme qu'il aime, avec qui il a partagé les mêmes idéaux et qu'il s'apprête à faire libérer dans ce qui fut l'une des plus audacieuses et des plus violentes évasions de ces "années de plomb ".

From the director of "L'estate di mio fratello", a movie about the incapability of relating with others. And the possibility of disappearing for real.

A young couple break into the house of a suspected serial killer and plant hidden cameras but are trapped when they try to retrieve the footage.

Chinese-language interpreter Gaia is called up out of the blue by the Italian authorities with an urgent and confidential translation assignment. She is whisked away to a secret underground location and ushered into a pitch-black room where she is asked to interpret the harsh interrogation of a mysterious presence, the eponymous Mr. Wang.

One of the most highly regarded pairs of authors, directors and performers in European theater, Daria Deflorian and Antonio Tagliarini engage with Federico Fellini's cinematic imagery and his deep look into human lives. A work about meeting each other, dancing together, being a couple, intimacy and dialogue, loosely inspired by the film Ginger and Fred starring Marcello Mastroianni and Giulietta Masina as an elderly tap-dancing couple, Pippo and Amelia. The title comes from the reversal of a line Amelia says at the end of the film to Pippo: “I don't think we will have the chance to dance together again.” It is also a work dedicated to the performers, the masks they wear, and their determination to play all their lives.

Rex est transféré de Vienne à Rome