Fernanda D'Umbra

A film about love, also a memoir, about the trip made in the 1970s to Morocco by Jarda Ícone, an artist, sexologist, and octogenarian rocker, as she defines herself, and Lírio Terron, a human rights activist. In fact, a journey that is not over in their lives. Jarda Icon teaches classes on how women can obtain their own orgasm. With her group of disciples and friends Ana Brasil, Sheyla Fernanda, Caroline Sylvie and Lakshmi she develops self-sustainable feminist and artistic projects. The film is political, but not at all politicized in the traditional sense. It is an ode to the underground and counterculture movements, it is a hymn to freedom, and its title is also a tribute to Oswald d Andrade, one of the main names in Brazilian modernism.

A broke guitarist rents his studio to Loly, his musical pupil, and is confronted by his convictions.

Mari is a talented but insecure chef who dreams of running her own restaurant. She goes through a challenging professional time, taking orders from an authoritarian boss who inhibits her talent. One day she meets Caio, a charming young man who provides the conditions for her to realize her dream. Caio shows Mari that she should trust herself and open her own restaurant. However, things are not always what they seem to be.

Afrânio is a retired voice actor. Lonely and tormented by memories of his childhood. In her small apartment, looking for a way to re-integrate into society.

Elias sees his world threatened when his ex-wife, one recovering junkie, asks for the guard of their son. Fito is in desperation for losing his father because of Elias. Isis, who hides in a vagabond hotel, can be the salvation for Fito and Elias.

How much does urban space influence our interior space?

Roger Sadala est un médecin publiquement respecté et renommé dans le domaine de la fécondation humaine, qui cache un autre visage sombre derrière une fausse intégrité. Lorsque sa réceptionniste Daiane brise le silence et le dénonce pour harcèlement, plusieurs autres victimes se joignent à elle avec des histoires similaires, notamment des abus sexuels. Qui donne la parole aux victimes est la journaliste Mira, qui compile les histoires racontées dans chaque épisode par d'autres femmes : Stela, Eugênia, Maria José et Vera.