Paul Poet

An increasing number of people in Germany no longer want anything to do with their state. A mixture of idiosyncrats and anti-system activists are turning their backs on the Federal Republic. How did the "Reichsbürger" movement become radical? What are their motives? What emerges is a European community of anarchists, businessmen, esotericists and adventurers - between a self-declared fight for freedom and obstinacy.

Céline est une étudiante française qui est allée rendre visite à sa grand-mère à Budapest. Jesse est un jeune américain en voyage à travers l'Europe. Tous deux se rencontrent dans un train, entre Budapest et Vienne. Arrivés à Vienne, Jesse doit descendre. Il parvient à convaincre Céline de passer une nuit avec lui dans la capitale autrichienne. Au cours de cette nuit, ils apprendront à se connaître. Le lendemain, ils devront se séparer.

Monika Donner is a transsexual elite soldier, a front figure for gender rights and an author celebrated by the political right-wing. She, who was once a he, quickly becomes a lone fighter between the ideological fronts.

A minimalist interview-film, dealing with one of the most disturbing life-stories from the twentieth Century. An oral history about abuse, resistance and survival.

Depicts Carl Andersens uncommon art and life. Born in Vienna, the capital of Austria in 1958, he participated in the development of Viennas subculture through his bar called "Fun Factory". It was a unique place to have some cheap drinks, see strange movies and join concerts in the cellar. He also influenced the Viennese film community by bringing art house and underground movies, like "Liquid Sky" (1982), or "The Texas Chainsaw Massacre" (1973) in uncut versions to the theaters. As he was a film maniac he started to direct movies by himself. His first two movies "I was a Teenage Zabbadoing" (1988) and "Mondo Weirdo - a Trip to Paranoia Paradise"(1990) became underground classics. In the late 80's Andersen went to Berlin. There he directed and produced more than 10 No-Budget movies. Diffic ult relationships and the process of filmmaking itself were his main themes. He got lost in alcoholism and committed suicide in August 2012.

Handmade utopias - a filmic search for the worldwide phenomenon of the micronation movement. Do-it-yourself states that have distanced themselves from the economic and political mainstreaming of globalization. A road movie covering land, water and the wildest realms of the imagination. Simultaneously creative documentary and pulsating cultural portrait, the film traces a new "unplugged" generation - their motives, their anxieties and their dreams.

Handmade utopias - a filmic search for the worldwide phenomenon of the micronation movement. Do-it-yourself states that have distanced themselves from the economic and political mainstreaming of globalization. A road movie covering land, water and the wildest realms of the imagination. Simultaneously creative documentary and pulsating cultural portrait, the film traces a new "unplugged" generation - their motives, their anxieties and their dreams.

FOREIGNERS OUT! SCHLINGENSIEFS CONTAINER is a thrilling, insightful, funny chronicle and reflection of one of he biggest public pranks and acts of art terrorism ever committed. Austria 2000: Right after the FPÖ under Jörg Haider had become part of the government, the first time an extreme right wing party became state officials after WW2, infamous German shock director Christoph Schlingensief showed a very unique form of protest. Realising public xenophobia and the new hate politics in the most drastic ways possible, he installed a public concentration camp right in the middle of Vienna's touristic heart, right beside the picturesque opera where hundreds of tourists and locals pass by daily. And it was no concentration camp you had ever feared to return from the old times, but one that cynically reflected our new multimedia culture. Satirising reality TV shows, "Big Brother" especially, a dozen asylum seekers were surveilled by a multitude of cameras, could be fed and watched by.

Sleazy jazzy Exotica TripPop as luxury drowned homage to 70s Euro-Grindhouse Cinema and its famed cult directors like Jess Franco, Jean Rollin or Harry Kümel: Red plush, opium n'a serious lack of oxygen. Surrounded by bizarre costumes and rituals, seductive singer Laura Mura breaks the power of horny kingsmen and lusty leatherslaves. A final return to a storytelling narrative in videoclips, not seen since the glory days of Kate Bush. Cinematic opulence, shot in Viennas famous, recently burned down Sophiensäle, that could leave its DV origin far behind by sheer tasteful style and won international recognition, airplay and a prize.

Sleazy jazzy Exotica TripPop as luxury drowned homage to 70s Euro-Grindhouse Cinema and its famed cult directors like Jess Franco, Jean Rollin or Harry Kümel: Red plush, opium n'a serious lack of oxygen. Surrounded by bizarre costumes and rituals, seductive singer Laura Mura breaks the power of horny kingsmen and lusty leatherslaves. A final return to a storytelling narrative in videoclips, not seen since the glory days of Kate Bush. Cinematic opulence, shot in Viennas famous, recently burned down Sophiensäle, that could leave its DV origin far behind by sheer tasteful style and won international recognition, airplay and a prize.

FOREIGNERS OUT! SCHLINGENSIEFS CONTAINER is a thrilling, insightful, funny chronicle and reflection of one of he biggest public pranks and acts of art terrorism ever committed. Austria 2000: Right after the FPÖ under Jörg Haider had become part of the government, the first time an extreme right wing party became state officials after WW2, infamous German shock director Christoph Schlingensief showed a very unique form of protest. Realising public xenophobia and the new hate politics in the most drastic ways possible, he installed a public concentration camp right in the middle of Vienna's touristic heart, right beside the picturesque opera where hundreds of tourists and locals pass by daily. And it was no concentration camp you had ever feared to return from the old times, but one that cynically reflected our new multimedia culture. Satirising reality TV shows, "Big Brother" especially, a dozen asylum seekers were surveilled by a multitude of cameras, could be fed and watched by.

FOREIGNERS OUT! SCHLINGENSIEFS CONTAINER is a thrilling, insightful, funny chronicle and reflection of one of he biggest public pranks and acts of art terrorism ever committed. Austria 2000: Right after the FPÖ under Jörg Haider had become part of the government, the first time an extreme right wing party became state officials after WW2, infamous German shock director Christoph Schlingensief showed a very unique form of protest. Realising public xenophobia and the new hate politics in the most drastic ways possible, he installed a public concentration camp right in the middle of Vienna's touristic heart, right beside the picturesque opera where hundreds of tourists and locals pass by daily. And it was no concentration camp you had ever feared to return from the old times, but one that cynically reflected our new multimedia culture. Satirising reality TV shows, "Big Brother" especially, a dozen asylum seekers were surveilled by a multitude of cameras, could be fed and watched by.

A minimalist interview-film, dealing with one of the most disturbing life-stories from the twentieth Century. An oral history about abuse, resistance and survival.

A minimalist interview-film, dealing with one of the most disturbing life-stories from the twentieth Century. An oral history about abuse, resistance and survival.

Monika Donner is a transsexual elite soldier, a front figure for gender rights and an author celebrated by the political right-wing. She, who was once a he, quickly becomes a lone fighter between the ideological fronts.

Monika Donner is a transsexual elite soldier, a front figure for gender rights and an author celebrated by the political right-wing. She, who was once a he, quickly becomes a lone fighter between the ideological fronts.

An Anti-MTV-Rock'n'Roll-allegory. A comment on Grunge's corporate happy misery.

A minimalist interview-film, dealing with one of the most disturbing life-stories from the twentieth Century. An oral history about abuse, resistance and survival.