André Leão

The surprising story of the love between the pink river dolphin and the young daughter of a fisherman. On the banks of the Amazon rivers, tales are told of a mysterious young man who appears at night during festivities and dances to win the hearts of young women.

A kingdom of fruits. A king with no strength to keep ruling. An orphan prince who does not accept his fate. A world at imminent risk. These are some of the ingredients of Abah, an adventure movie full of humor, in which we can follow the young Pineapple prince’s trajectory and his conflicts with his dreams and responsibilities. It is a story of acceptance and personal growth. A portrait of a brief moment of prince Abah’s life: a transition from his unripe childhood to the new colors of maturity.

Susana Barriga’s documentary, the illusion, begins with violence. A long shot reveals a man standing on a street corner, his features indiscernible in the night. He moves out of the camera’s line of vision, but the filmmaker, persistent, moves with him as the jostling of the camera marks her steps. As we learn moments later, the man in the distance is Susana’s father – and this is the clearest image of him we will have. Suddenly, an angry British man demands that Susana cease filming. Susana protests in heavily accented English, “He is my father!” Glimpses of a man’s torso are followed by blurred images as the camera spins rapidly over surfaces. The image cuts to black. A new male voice asks in carefully spaced out words if Susana would like him to call the police. When she doesn’t respond immediately, he speaks louder, as though volume would compensate for the language difference. She gives her name; she refuses the offer of an ambulance.