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6.5

I Don’t Belong Anywhere : Le Cinéma de Chantal Akerman

Sep 28, 2015

I Don’t Belong Anywhere : Le Cinéma de Chantal Akerman

2015 67 min 13 vues

Ce documentaire explore une partie de la filmographie de la cinéaste belge (qui comprend plus de 40 films), et de Bruxelles à Tel-Aviv, de Paris à New York, nous dévoile quelques lieux marquants de ses pérégrinations.

Documentary

1

Chantal Akerman - Altijd Onderweg

Jun 28, 2024

Chantal Akerman - Altijd Onderweg

2024 54 min 1 vues

Chantal Akerman is only 25 when her acclaimed film 'Jeanne Dielman' is released in 1975. It is a bold film, with which she immediately makes a name for herself and will influence many generations of filmmakers. But Akerman is much more than that. In the years that follow, she makes documentaries, comedies, a musical, installations, etc. Until her death in 2015, she will continue to reinvent herself. The documentary features collaborators and admirers talking about her courage, her audacity and her never-ending search. Interviews with: Claire Atherton, Eric de Kuyper, Jan Decorte, Marilyn Watelet, Isabel Stevens, Laura Mulvey, Anke Brouwers, Céline Brouwez, Lukas Dhont.

Documentary

10

Jumbo/Toto, Histoires d'un Éléphant

Jul 15, 2016

Jumbo/Toto, Histoires d'un Éléphant

2016 66 min 1 vues

From Germany to Italy, the United States to Île-de-France, Jumbo/Toto, Stories About an Elephant shadows the itinerary of a single forgotten animal, an African elephant doubly-named Jumbo/Toto. Jumbo, as he was called on German colonial ships,at the Amerikakai port of Hamburg, and in Carl Hagenbeck's zoos; Toto, as he'd come to be known with great fame in fascist Italy. An urban investigation and an adventure film, a ballet of flora and fauna and pavement and sea, Jumbo/Toto, Stories About an Elephant is a modern epic of the joy and pain of the 20th century set in what still remains strange and unknown: the 21st century, and the solitude of telling a story.

Documentary

7.2

Letters Home

Mar 08, 1986

Letters Home

1986 104 min 8 vues

From Germany to Italy, the United States to Île-de-France, Jumbo/Toto, Stories About an Elephant shadows the itinerary of a single forgotten animal, an African elephant doubly-named Jumbo/Toto. Jumbo, as he was called on German colonial ships,at the Amerikakai port of Hamburg, and in Carl Hagenbeck's zoos; Toto, as he'd come to be known with great fame in fascist Italy. An urban investigation and an adventure film, a ballet of flora and fauna and pavement and sea, Jumbo/Toto, Stories About an Elephant is a modern epic of the joy and pain of the 20th century set in what still remains strange and unknown: the 21st century, and the solitude of telling a story.

TV Movie

6.5

Hungry Man

Nov 06, 2013

Hungry Man

2013 70 min 2 vues

This story of an unexpected encounter between a young boy and a wounded foreigner somewhere in the Romanian wilderness is a parable about the freedom of man in modern society.

Adventure

1

Une fleur à la bouche

Feb 16, 2022

Une fleur à la bouche

2022 67 min 1 vues

This story of an unexpected encounter between a young boy and a wounded foreigner somewhere in the Romanian wilderness is a parable about the freedom of man in modern society.

Drama

6.8

No Home Movie

Feb 24, 2016

No Home Movie

2016 115 min 29 vues

This story of an unexpected encounter between a young boy and a wounded foreigner somewhere in the Romanian wilderness is a parable about the freedom of man in modern society.

Documentary

1

Les Lettres de Didier

Mar 16, 2022

Les Lettres de Didier

2022 66 min 1 vues

A brother writes to his sister. A brother loves his sister. is it true that one can keep a young woman through writing? The ambition is great. A long correspondence of 149 letters, this film is based on the letters that my brother Didier wrote to me. Two actors carry his poetic writing to a new perception. Axel Bogousslavsky and Nathalie Richard are the brother and sister. They sing, they dance on the roads, on a journey, in the land of « Didierlangue ».A crazy bet, yes, funny, delirious, that of a fable, where the French language is shaken up.This film explores how writing and the experience of a hybrid language create a film about love.

Documentary

1

χορικό

Mar 25, 2022

χορικό

2022 24 min 1 vues

Images of a small boatyard, somewhere in Greece. Between the repairs and the boats’ departures, a team of men haul them ashore and set them afloat again. A 16 mm film built around gestures and movements that oscillate between a toing and froing, attachment and detachment, tension and tenderness.

Documentary

5.6

La Captive

Sep 27, 2000

La Captive

2000 118 min 56 vues

Images of a small boatyard, somewhere in Greece. Between the repairs and the boats’ departures, a team of men haul them ashore and set them afloat again. A 16 mm film built around gestures and movements that oscillate between a toing and froing, attachment and detachment, tension and tenderness.

Drama

8

Operation Hollywood

Oct 28, 2004

Operation Hollywood

2004 90 min 1 vues

The American military forces has a long tradition of cooperation with the movie industry. Movie studios can save millions of dollars by securing use of military stock footage, equipment and manpower. But there will only be cooperation if the scripts are depicting the armed forces in a favorable way. The most realistic and successful war movies has generally been made without the military's support.

Documentary

1

Sorcières, mes soeurs

Mar 04, 2010

Sorcières, mes soeurs

2010 30 min 1 vues

The American military forces has a long tradition of cooperation with the movie industry. Movie studios can save millions of dollars by securing use of military stock footage, equipment and manpower. But there will only be cooperation if the scripts are depicting the armed forces in a favorable way. The most realistic and successful war movies has generally been made without the military's support.

Documentary

6.275

La Folie Almayer

Jan 25, 2012

La Folie Almayer

2012 128 min 20 vues

The American military forces has a long tradition of cooperation with the movie industry. Movie studios can save millions of dollars by securing use of military stock footage, equipment and manpower. But there will only be cooperation if the scripts are depicting the armed forces in a favorable way. The most realistic and successful war movies has generally been made without the military's support.

Drama

1

A la lueur de la chandelle

Apr 09, 2025

A la lueur de la chandelle

2025 109 min 1 vues

The American military forces has a long tradition of cooperation with the movie industry. Movie studios can save millions of dollars by securing use of military stock footage, equipment and manpower. But there will only be cooperation if the scripts are depicting the armed forces in a favorable way. The most realistic and successful war movies has generally been made without the military's support.

Drama

6.2

Sud

May 15, 1999

Sud

1999 71 min 14 vues

The American military forces has a long tradition of cooperation with the movie industry. Movie studios can save millions of dollars by securing use of military stock footage, equipment and manpower. But there will only be cooperation if the scripts are depicting the armed forces in a favorable way. The most realistic and successful war movies has generally been made without the military's support.

Documentary

6.8

De l'autre côté

Jun 04, 2003

De l'autre côté

2003 100 min 15 vues

The American military forces has a long tradition of cooperation with the movie industry. Movie studios can save millions of dollars by securing use of military stock footage, equipment and manpower. But there will only be cooperation if the scripts are depicting the armed forces in a favorable way. The most realistic and successful war movies has generally been made without the military's support.

Documentary

4.9

Là-bas

Feb 15, 2006

Là-bas

2006 78 min 10 vues

The American military forces has a long tradition of cooperation with the movie industry. Movie studios can save millions of dollars by securing use of military stock footage, equipment and manpower. But there will only be cooperation if the scripts are depicting the armed forces in a favorable way. The most realistic and successful war movies has generally been made without the military's support.

Documentary

6.9

D'Est

Sep 16, 1993

D'Est

1993 116 min 26 vues

The American military forces has a long tradition of cooperation with the movie industry. Movie studios can save millions of dollars by securing use of military stock footage, equipment and manpower. But there will only be cooperation if the scripts are depicting the armed forces in a favorable way. The most realistic and successful war movies has generally been made without the military's support.

Documentary

7.4

Man in Black

May 22, 2023

Man in Black

2023 60 min 8 vues

The American military forces has a long tradition of cooperation with the movie industry. Movie studios can save millions of dollars by securing use of military stock footage, equipment and manpower. But there will only be cooperation if the scripts are depicting the armed forces in a favorable way. The most realistic and successful war movies has generally been made without the military's support.

Documentary

4.5

Qui a tué Ali Ziri?

Oct 07, 2015

Qui a tué Ali Ziri?

2015 91 min 1 vues

The American military forces has a long tradition of cooperation with the movie industry. Movie studios can save millions of dollars by securing use of military stock footage, equipment and manpower. But there will only be cooperation if the scripts are depicting the armed forces in a favorable way. The most realistic and successful war movies has generally been made without the military's support.

Documentary

5.9

Un divan à New York

Feb 21, 1996

Un divan à New York

1996 108 min 41 vues

The American military forces has a long tradition of cooperation with the movie industry. Movie studios can save millions of dollars by securing use of military stock footage, equipment and manpower. But there will only be cooperation if the scripts are depicting the armed forces in a favorable way. The most realistic and successful war movies has generally been made without the military's support.

Romance

1

Pour mémoire

Apr 14, 1987

Pour mémoire

1987 11 min 1 vues

One year after the death of Simone de Beauvoir (14 april 1986) Delphine Seyrig pays homage by visiting her grave. which she finds still covered with flowers and letters from all over the world.

Documentary

5.4

Demain on déménage

Mar 03, 2004

Demain on déménage

2004 110 min 20 vues

One year after the death of Simone de Beauvoir (14 april 1986) Delphine Seyrig pays homage by visiting her grave. which she finds still covered with flowers and letters from all over the world.

Comedy

6.6

Detroit: Ville Sauvage

Nov 29, 2010

Detroit: Ville Sauvage

2010 80 min 5 vues

A documentary exploring the rise and fall of Detroit. Compiling historical footage and interviews with the city's residents, this meditative documentary looks at a city reclaimed by nature and resettled by 21st century urban pioneers.

Documentary

4.2

Also Known as Jihadi

Mar 11, 2017

Also Known as Jihadi

2017 102 min 4 vues

Also Known as Jihadi follows the progress of a young man's journey from France to Syria, and back to France, where he is incarcerated for allegedly joining Daesh. Based on real events, and drawn from thousands of pages of judicial documents, the work employs the so-called landscape theory (fukeiron in Japanese). The character's paths to radicalism are rendered purely through a series of landscape shots filmed at the locations traversed by the subject: a biography determined not by what the subject did, but by what the subject saw, and one that questions how these landscapes reflect the social and political structures that are the backdrop for a journey of alienation and return.

Documentary

1

Autour d’hier aujourd’hui et demain (on déménage)

Jan 01, 2004

Autour d’hier aujourd’hui et demain (on déménage)

2004 80 min 1 vues

Also Known as Jihadi follows the progress of a young man's journey from France to Syria, and back to France, where he is incarcerated for allegedly joining Daesh. Based on real events, and drawn from thousands of pages of judicial documents, the work employs the so-called landscape theory (fukeiron in Japanese). The character's paths to radicalism are rendered purely through a series of landscape shots filmed at the locations traversed by the subject: a biography determined not by what the subject did, but by what the subject saw, and one that questions how these landscapes reflect the social and political structures that are the backdrop for a journey of alienation and return.

Documentary

3

Fogo do Vento

Aug 13, 2024

Fogo do Vento

2024 72 min 1 vues

The vine bore fruit, and it's harvest time. Soraia, a young girl, cuts herself. Blood mixes with wine. A black bull is on the loose. Up in the oak trees, time swells, and a community takes shelter. They share bread and wine, memories and dreams, the history of a landscape. We enter a long night, where nature also speaks. The fiery wind that brings the heatwaves, it's burning.

Drama

1

Autour d’hier aujourd’hui et demain (on déménage)

Jan 01, 2004

Autour d’hier aujourd’hui et demain (on déménage)

2004 80 min 1 vues

The vine bore fruit, and it's harvest time. Soraia, a young girl, cuts herself. Blood mixes with wine. A black bull is on the loose. Up in the oak trees, time swells, and a community takes shelter. They share bread and wine, memories and dreams, the history of a landscape. We enter a long night, where nature also speaks. The fiery wind that brings the heatwaves, it's burning.

Documentary

1

Les racistes ne sont pas nos potes, les violeurs non plus

Jan 01, 1986

Les racistes ne sont pas nos potes, les violeurs non plus

1986 23 min 1 vues

After a series of rapes in broad daylight in 1985, a demonstration takes place in September. Leaflets accuse the "immigrant criminal underworld." Immigrants and Muslims are blamed. Eight feminists: Claire Atherton (editing), Claire Auzias, Marie-Jo Dhavernas, Catherine Deudon, Anne Faisandier (camera), Liliane Kandel, Nadja Ringart and Ioana Wieder want to testify and fight sexism wherever they come from and whoever the authors are. They decide to realize a documentary. They meet Souad Benani and Malika Bennabi, activists of the group Les Nanas Beurs, then Fatima and Rosa, activists of SOS Racisme. Then three anti-racist activists : Harlem Désir, Adil Jazouli, Sami Nair to discuss it.

Documentary

1

Les racistes ne sont pas nos potes, les violeurs non plus

Jan 01, 1986

Les racistes ne sont pas nos potes, les violeurs non plus

1986 23 min 1 vues

After a series of rapes in broad daylight in 1985, a demonstration takes place in September. Leaflets accuse the "immigrant criminal underworld." Immigrants and Muslims are blamed. Eight feminists: Claire Atherton (editing), Claire Auzias, Marie-Jo Dhavernas, Catherine Deudon, Anne Faisandier (camera), Liliane Kandel, Nadja Ringart and Ioana Wieder want to testify and fight sexism wherever they come from and whoever the authors are. They decide to realize a documentary. They meet Souad Benani and Malika Bennabi, activists of the group Les Nanas Beurs, then Fatima and Rosa, activists of SOS Racisme. Then three anti-racist activists : Harlem Désir, Adil Jazouli, Sami Nair to discuss it.

Documentary

1

Maniac Summer

Dec 05, 2009

Maniac Summer

Total laryngectomy, a mutilation that affects the face and the voice, can be lived as a profound metamorphosis. Joël Perrotte undertook that surgery in 2007. After becoming mute, his first reaction was to retreat from the outside world, in the basement of his home. Thanks to his wife's support, he surfaced back, and found the strength to learn a new voice and become part of the society. The film tells the story of this extraordinary metamorphosis.

7

Le Jour où

Jan 01, 1997

Le Jour où

1997 7 min 2 vues

Chantal Akerman reads a script detailing the woes that befell her on the day she thought about "The Future of Cinema". The camera continuously rotates 360 degrees around her apartment as she rereads the script at an exponentially increasing speed. At its heart, an homage to Godard.

Documentary

1

Altérations – Kô Murobushi

May 19, 2020

Altérations – Kô Murobushi

“My mother laughs prelude” is a performance from the book that Chantal made about her mother. In 2013, Akerman’s mother was dying. She flew back from New York to Brussels to care for her, and between dressing her, feeding her and putting her to bed, she wrote. She wrote about her childhood, the escape her mother made from Auschwitz but didn’t talk about, the difficulty of loving her girlfriend, C., her fear of what she would do when her mother did die. Among these imperfectly perfect fragments of writing about her life, she placed stills from her films. "My Mother Laughs" is both the distillation of the themes Akerman pursued throughout her creative life, and a version of the simplest and most complicated love story of all: that between a mother and a daughter.

Documentary