Stig Egede-Nissen

" Broder Gabrielsen " in its time awoke a major debate , and already during the shooting of the film went high waves in the press . The film points a strong warning against religious fanaticism and against contemporary preachers, and it met then also strong opposition from some of these . In the film we meet the piecemeal lay preacher , Brother Gabrielsen ( ALF MALLAND ) , who discovers how modern music , rhythms and ecstasy gives great success when it comes to getting listeners to his preaching . He will soon get his big break , and keeps ecstatic revival meetings with tongues and " healings " through prayer . It ends in discouragement and defeat then wonders absent for Gabrielsen , and personal tragedies for those who were misguided .

The working-class family Bråten is living in a top floor of a tenement house on the outskirts of Oslo. The family includes three sons and two daughters, mother and father in one room and kitchen. Mother Hulda is the family hub while Mr.Bråten itself is a silent and withdrawn worker. Children contribute in their own way to the neighbors are right when they exclaim: Never anything but trouble! There are problems for all when the police come into the picture after the one his son is participating in a car theft. Middle of all this chaos, 16-year-old Maiken (Vigdis Røising) moves out and seek questionable friends, which brings her into conflict with his father. A tragedy brings the family together again.

Orphaned girl Toya is attending winter vacation with her uncle and aunt. Her friend Trygve is staying at the same mountain hotel. But on a trip in the mountain, a storm surprises them, and a search party is sent out.

The film deals with poverty in Oslo in the 1930s

British war documentary

MS Lidvard was shipping corn from Vietnam, arriving in Dakar, Senegal May 30th 1940. The ship was immediately held back by the government, together with eight other norwegian ships. After a year, July 27th 1941, the ship fled from Dakar, to the British in Freetown, Sierra Leone.