Chris Darwin

Le deuxième film de la série autobiographique de Terence Davies (avec "Trilogy" et "The Long Day Closes") est une vision impressionniste d'une famille ouvrière dans le Liverpool des années 1940 et 1950, basée sur la propre famille du réalisateur. A travers une série de tableaux exquis, Davies crée un album photo profondément émouvant d'une famille troublée aux prises avec la complexité de l'amour.

Drama based on the case history of a Liverpool boy, Graham Gaskin, who spent most of his youth in care.

When five girls start jogging in Liverpool's Sefton Park they soon encounter predictable male opposition. The result is a comedy that ends with a relay race of Wagnerian proportions. A BBC co-production with the Liverpool Everyman

A costume drama / satire about financial skull-duggery, and confidence tricksters in both the upper and lower classes in Victorian London. A working class man impersonates a lord who is supposedly very rich and a financial wizard. As such he is invited to all the best peoples' parties.

Linda's out on her hen night, her fiance is out on his stag night. Linda is having major doubts about getting married, when both groups arrive at a club, to find the band fronted by her ex-boyfriend—and the love of her life—Peter. Linda has to decide: Does she stay and settle down, like her friends want her to, or does she chuck it all in and run away with Peter?

Dans les années trente, Liam grandit dans le quartier catholique irlandais de Liverpool. A sept ans, il est le petit dernier de la famille. Son frère aîné travaille déjà et participe aux frais de la maison tout comme sa soeur qui fait des ménages. Entre une mère affectueuse et un père responsable, la famille est heureuse malgré le manque d'argent, jusqu'au jour où la crise frappe de plein fouet les dockers.

Alan Bleasdale's comic crime caper for Channel 4 about a former getaway driver desperate to leave his life of crime behind. Featuring Alfred Molina, David Ross, Amanda Mealing, Andrew Schofield and Julie Walters. Raymond Murtagh's Requim Apache tells the story of Hamish, who was once one of the criminal underworld's best getaway drivers. Now a new father and retired to the Suffolk countryside, he has to watch the baby at home alone. However, Hamish's peaceful and idyllic new life is shattered when his past rears its ugly head once again, and the old gang comes over for a visit. They make him an offer he dare not refuse to take on one last bank job. However, with no babysitter available, he is forced to take the baby with him.

Needle paints a harrowing picture of a Liverpool overrun by drugs, charting a young man's nightmarish descent into intravenous heroin use and AIDS and a police and political leadership incapable of the imagination or courage necessary to respond to the drug problem.

Moving On is a British television series set in contemporary Britain consisting of standalone dramas all sharing the theme of someone going through some kind of change in their life and moving on.

Alan Bleasdale's five-part series relates the further experiences of unemployed Liverpudlian tarmac layers Dixie, Chrissie, Loggo and Yosser, and their revered older friend, retired longshoreman and union leader, George Malone. As they struggle to make ends meet in a depressed economy, and to hold together their financially battered families, they are harrassed by the petty bureaucrats of the DHSS. But the lumbering investigational juggernaut is, both comically and tragically, guided by drivers with only a provisional license.

GBH was a seven-part British television drama written by Alan Bleasdale shown in the summer of 1991 on Channel 4. The protagonists were Michael Murray, the Militant tendency-supporting Labour leader of a city council in the North of England and Jim Nelson, the headmaster of a school for disturbed children. The series was controversial partly because Murray appeared to be based on Derek Hatton, former Deputy Leader of Liverpool City Council — in an interview in the G.B.H. DVD Bleasdale recounts an accidental meeting with Hatton before the series, who indicates that he has caught wind of Bleasdale's intentions but does not mind as long as the actor playing him is "handsome". In normal parlance, the initials "GBH" refer to the criminal charge of grievous bodily harm - however, the actual intent of the letters is that it is supposed to stand for Great British Holiday.

Set during the 1960s in the fictional North Yorkshire village of Aidensfield, this enduringly popular series interweaves crime and medical storylines.