Joy Harjo

Cara Romero's contemporary fine art photography captures Indigenous and non-Indigenous cultural memory, collective history, and lived experiences from an Indigenous female perspective.

Examining the movement that is ending the use of Native American names, logos, and mascots in the world of sports and beyond.

Jaune Quick-To-See-Smith, Shoshone French Cree painter, discusses her abstract paintings, which depict her Indian heritage with scenes of early plains lifestyles.

A look at the life of Native American jazz saxophone pioneer Jim Pepper, the first widely recognized musician to fuse Native American music with jazz.

A visual journey into the mind and soul of Pulitzer Prize–winning author Navarro Scott Momaday, relating each written line to his unique Native American experience representing ancestry, place, and oral history.

America's first Native doctor, Susan La Flesche Picotte (1865-1915) studied medicine at a time when few women dared. She graduated first in her class and returned home to serve as doctor to her Omaha tribe. During this heartbreaking and violent time she never gave up hope. The reverberations from her shattered world continue today as Native Americans suffer from alarming rates of disease, suicide and mental illness. Like Susan, these modern day medicine women from the Omaha, Lakota and Navajo tribes are fighting a war and sharing a confident, even joyful, approach to the work of healing.

For thousands of years, traditional Inuit sports have been vital for survival within the unforgiving Arctic. Acrobatic and explosive, these ancestral games evolved to strengthen mind, body and spirit within the community. Following four modern Inuit athletes reveals their unique relationship to the games as they compete across the North. As unprecedented change sweeps across their traditional lands, their stories illuminate the importance of the games today.

Filmmaker Sterlin Harjo follows Native artists for a year as they navigate their careers in the US and abroad. The film explores the immense complexities each artist faces concerning their own identity as Native artists, as well as pushing further Native art into a post-colonial world.

Khonsay: Poem of Many Tongues is a tribute and call to action for linguistic diversity. A 15-minute motion poem (poem on film), each line comes from a different treasure or minority language. 48 speakers each speak in their mother tongues, as line by line, language by language, the poem is created.

The film threads together four stories, taking us into the life of a stressed-out Mohawk stockbroker in Manhattan; a young Inupiat girl sent to live with her grandmother in Barrow, Alaska; a Navajo gang member who must find his core values in his reservation on the mesas of New Mexico; and a Quechua healer in Peru, attempting to save a sick child. Each story explores what it means to belong to a specific community. A Thousand Roads is a fictional work, produced by National Museum of the American Indian (NMAI) to explore the human context of the NMAI’s collections. The film is striking visually, and presents through its beauty and its stories an imaginative entry into knowing about Native people living in the vast indigenous geography that comprises the Americas. Rather than presenting a conventional historical perspective, the film is composed of short contemporary fictions about individuals, grounding them in emotional truths to which an audience can easily relate.

Jaune Quick-To-See-Smith, Shoshone French Cree painter, discusses her abstract paintings, which depict her Indian heritage with scenes of early plains lifestyles.