Gillian Tan

Malachy revient dans sa ville natale après la mort de son père, le roi. Endossant ce nouveau rôle, le jeune homme découvre que les sorcières, menées par la Reine rouge sont responsables de la ruine de son pays rongé par la maladie. Accompagné d'Eric et Jason, ses deux acolytes, Malachy s'engage dans une chasse contre le mal.

C’est le premier jour d’Imrah comme femme de chambre à l’Hôtel Singapura. Dans la suite n°27, un groupe de pop est venu fêter le nouvel an. Parmi eux, leur chanteur Damien est dans un état second quand il croise Imrah dans le couloir. Bien plus tard, dans ce même hôtel, une japonaise laisse filer son amant, un travesti reçoit son dernier plaisir avant l’opération, une touriste couche devant son meilleur ami… Mais toujours Imrah, en rangeant la chambre, se souviendra de sa rencontre avec Damien.

L'agent 47 est un assassin génétiquement modifié afin de devenir la parfaite machine à tuer. Sa nouvelle mission est d'éliminer une organisation, appelée Le Syndicat, qui tente de retrouver le généticien à l'origine du programme qui l'a mis au monde. Cette dernière, qui envoie l'un de ses meilleurs tueurs aux trousses de 47, veut découvrir les secrets de la création de l'agent surhomme afin de créer une armée de super soldats. 47 s'alliera avec une jeune femme qui détient certains secrets bien gardés afin de retrouver le scientifique en question et de l'empêcher de révéler les origines du programme aux mauvaises personnes.

Mark Watson used to lead a double life. One as a loving husband, and the other as a spy for the U.S. government. The past comes back to haunt Mark in the form of The Hatter; and international crime lord Mark had once spied on. It is here that The Hatter gives Mark the ultimate ultimatum. And Mark soon discovers that becoming a spy for The Hatter involves more than just pretending to be a fictional person... but actually becoming one.

In an island perpetually suspended by Asian values, the spirit of a dionysian culture lays dormant. What stays awake is the daily repression of sensuality in the name of a constructed morality naturalised by the weight of history. Within this landscape, underground director Chew Tze Chuan continues the search for depictions of native sexuality in history which remains undocumented and only whispered about. With reference to native historical texts and the mythological and religious depiction of the 'Holy Whore', Chew constructs a mythology of a hermaphrodite who comes to town to impart a wisdom that proves to be too carnal and untimely. Years in the making and strung together with documentary-like footage of orgiastic happenings, punctuated with moments of refrain into randomness, the film soon escalates into a schizophrenic psychedelia of multicultural and polymorphous sexuality.

LOVE... and other Bad Habits is a light-hearted, sometimes heartfelt, look at three different kinds of relationships in Singapore, from teen infatuation to the nuances of adult relationships.

Mark Watson used to lead a double life. One as a loving husband, and the other as a spy for the U.S. government. The past comes back to haunt Mark in the form of The Hatter; and international crime lord Mark had once spied on. It is here that The Hatter gives Mark the ultimate ultimatum. And Mark soon discovers that becoming a spy for The Hatter involves more than just pretending to be a fictional person... but actually becoming one.

After Hours is a Singaporean drama produced by local TV station Mediacorp. It was broadcast on Mondays at 11pm. Screen couple Utt and Linda Liao reprise their roles as Gabriel and Ellie in Chase to reunite on the small screen for After Hours. Joined by Joanne Peh and Max Loong as April and Danny, the four are best friends who tackle love, friendships and relationships in every direction in After Hours. The show picks up six months after Chase ends, where Gabriel and Ellie go on holiday together. April and Ellie are former classmates, now friends. Danny is an old friend of Gabriel’s, although they lost contact previously. Danny spent some time in the US, but returns to Singapore for good. The four of them become good friends and hang out together regularly. The situational romantic dramedy shows how four friends approach love, friendships and relationships, and it attempts to provoke the watchers with questions.