Ileana Wilson

Basilio a pickpocket with no luck, enters a mental institution to retrieve a valuable diamond necklace that briefly passed through his hands and whose value was unable to recognize. Once inside the asylum, Basilio will try to use all the skills of his trade to overcome the threats that keep him from reaching his goal. In the end, the only escape for Basilio will be to undergo the "Torapia", an innovative experimental therapy that connects man with the beast within us all.

Susana quitte sa vie à Paris, où elle travaille comme mannequin, et retourne à Madrid pour s'occuper de sa grand-mère Pilar.

Mirta is Cuban and lives in Madrid. As many others immigrants she works in cleaning industry. Today at six o'clock p.m. her daughter is going to marry. But nothing turns out as she hopes, and to reach this wedding is more difficult than it appeared at first sight.

This is a short story about an old Spanish man, who is about to sell his shop in Barrio De Llavapies, in Madrid set in 2003 on the 1st of February. This film shows life from the viewpoint of two ethnic groups an immigrant who has a run in with an old white Spanish man who has racist views and is meant to one of the last white shop owners in this Barrio.

Après la parution d'un décret d'un gouverneur visant à arrêter les enfants d'immigrants sans papiers, les nouveaux détenus se voient offrir la possibilité de faire annuler les charges qui pèsent sur eux en se portant volontaires pour s'occuper des personnes âgées.

Récemment évadé d'une maison de correction, le jeune Reinaldo peine à s'en sortir dans les rues de La Havane à la fin des années 90, l'une des pires décennies pour la société cubaine. Espoirs, désillusions, rhum, bonne humeur et surtout faim, l'accompagnent dans ses pérégrinations, jusqu'à ce qu'il rencontre Magda et Yunisleidy, rescapées comme lui. Dans les bras de l'un ou de l'autre, il tentera d'échapper à la misère matérielle et morale qui l'entoure, vivant l'amour, la passion, la tendresse et le sexe décomplexé jusqu'à la limite.

Cuba, as we knew it, is dying. The US Embassy has just opened in Cuba, and the Cuban in the USA after 54 years. Cubans are craving to be connected to the Internet, buy at Zara, eat at Burger King and have Apple gadgets Nevertheless, Fidel, the leader of the Revolution, is alone and hiding. He is, like Cuba, in decline.

The architecture student Estela (Silvia Aguila) makes a suicide attempt after her plans for solving Havana's housing shortage are rejected. This brings her into contact with earthy, cynical hospital nurse Ernesto (Jorge Perugorria). Estela invites him home for dinner, and he succeeds in offending everyone present. Unable to find a quiet spot to be alone, they finally find a squatters' tenement, where their sexual frenzy causes a ceiling to collapse. They next try vertical love in a stalled elevator, trapping people in the modern building minus stairs. Fleeing responsibilities, they stage a romantic rendezvous alongside a country river, but once again they are interrupted as Cuban commissars arrive with papers and forms because the couple constructs a hut beneath a bridge. Amid the misadventures, lust turns to love

La vie passionnante et passionnée de Miguel Bosé, un artiste à la personnalité inclassable qui contribuera à faire bouger les lignes dans une Espagne en pleine mutation.

La que se avecina is a Spanish television comedy created by Alberto Caballero, Laura Caballero and Daniel Deorador. The TV-series focusing around the inhabitants of Mirador de Montepinar, a fictional building located on the outskirts of a big city. Both its storylines and cast are heavily based on Aquí no hay quien viva, which ended when Telecinco bought Miramón Mendi, the series production company. The episodes debuted on the Telecinco network, and were later rerun by the same network as well as cable/satellite channels FactoríaDeFicción and Paramount Comedy. The series debuted in 22 April 2007 and became popular thanks to its funny characters, witty script, use of catchphrases and capacity to integrate and poke fun at contemporary issues; the program presents a caustic satire of many of the 'types' found in Spanish society. The name of the show involves wordplay, as "vecina" is the Spanish word for neighbour.