Sofía Romano

Not much seems to happen in this gallery on Cabildo avenue, but when all the businesses have already closed, two girls stay inside and come up with a small vandalism project that saves their day.

Le portrait croisé de six femmes qui tombent sous le charme de personnes du même sexe.

Struck by the tragic death of his father, Milagros, a young girl who studies drama, goes on a trip with her friends and her boyfriend, Juan Pablo, in search of calm and fun. Everything goes well until a group of masked strangers shows up.

Three teenage friends, between bike rides, boring classes and days at the swimming pool, trigger a strong and different attraction between two of them that they did not feel before. Maybe it will be the last summer of their childhood, maybe it will be the last summer of the three of them together.

Marco, Patricio and Lucrecia form a peculiar loving relationship. For Patricio this does not seem to be a problem; it is shown as a person willing to a fickle love. But Marco plays the role of the neurotic: he does not feel a taste in this triad, he chases the girl, questions his friend, bothers the relationship and shows his disagreement. This could go through a triangle to use, one more in the history of cinema. But sometimes the geometry breaks.