Dorota Nvotová

A love story which unfolds over three days and nights on the outskirts of the metropolis. Seventeen-year-old Ema (Dorota Nvotová) breaks up with 'dude' Viktor (Lukás Latinák), has a fling with future pilot Karel (Mário Kubas), and meets a real man (Ondrej Vetchý), a taxi driver without a taxi. In the tangle of relationships, the characters sometimes have an opportunity to share their feelings, but sometimes they simply pass each other by. The story is told through Ema's eyes as she observes the world around her while searching for love, fun, and joy. But she's not the only one looking for happiness, nor the only one who finds it hard to avoid hurting others in the process. Ema's abandoned mother (Jana Hubinská) looks for another chance for love, while Karel's parents try to put long-lost meaning back into their marriage.

In Prague, a musician is consumed by jealousy for his beautiful girlfriend. He hires a private eye to spy on her, but the plan backfires...

In 1980s CSSR, depressed Martin tries to overcome the feeling of being locked up with jazz music.

In Slovakia, the sixteen year-old Terezka is discharged from her school with a letter to her mother. Along her surrealistic journey to find her mother, Terezka entwines reality and fantasy and meets a man that is hired to burn clothes; a woman buried on the ground; a young bride that is marrying the forty and something year-old widow of his brother to support her family as a tradition in their village; her younger brother that is intern in a special school; a decadent TV comedian and his wife; a powerful mobster in the kitchen of a restaurant; one lover of her mother in her former address; and finally her promiscuous mother that advises her to travel through the world.

Ten short unrelated stories that move chronologically through Slovakia's twentieth-century history as seen from the perspective of life in small towns and villages.

Jakub, a young, small time drug dealer, wakes up to find the police storming the apartment building while his parents are both away on holiday. After flushing all of his "secret stashes" in the toilet, he finds out they are actually there to investigate the death of the girl upstairs, a close childhood friend of his and the family. He slowly retraces the past week that she has been lying dead in her flat and remembers that he asked her to "receive a package" unbeknownst to her from his drug dealer, Pexeso.

Le nouveau mari Adam prend à contrecœur un emploi avec la sécurité de l'État dans un pays totalitaire, devenant ainsi un agent de la police secrète. Ce «contrat avec le diable» permet de garantir un appartement pour l'heureux couple, ainsi qu'un avenir prospère. Cependant, il découvre bientôt qu'il est lui aussi sous surveillance.

The film Mečiar is the confession of the young director Tereza Nvotová about Vladimír Mečiar and the influence that this politician had on Slovak society, but also on the life of Tereza herself. When the totalitarian communist regime fell in Czechoslovakia in 1989, Tereza was one year old. The leaders of the Gentle Revolution then decided to hold an audition for the Minister of the Interior, to which Vladimír Mečiar, an unknown business lawyer from the Slovak countryside at the time, applied. After success in bankruptcy, Vladimír Mečiar reaches the political top, from where he rules the country with a series of questionable practices. Against the background of events such as the division of Czechoslovakia or the kidnapping of the son of the president of the Slovak Republic, Tereza and her peers relive their childhood.