Fernando Collor de Mello

The movie is a collage and comentary of varied third party footage on news relating to each and every one of the eight Presidents of Brazil who took office since the end of the military government, from José Sarney to Jair Bolsonaro.

A biography of Paulo César Farias, better known as PC Farias. PC was treasurer of former President Fernando Collor de Mello and was directly involved in the process that culminated in Collor's impeachment, deeply shaking the recently restored Brazilian democracy. The film features the participation of dozens of people who knew and lived with Farias, abundant documentation and exclusive archive material, which reveals the intricacies of Brazilian politics, focusing especially on the relationships between capital, ideology, power and organized crime.

3 ex-presidents of Brazil, 12 ex-ministers of State, 7 ex-governors of the Central Bank, bank owners and finance specialists tell the Brazilian economic history and speculate about the present and the future of the country. 125 years ago Brazil was a poor country with slavery. 60 years ago 50% of Brazilians were illiterate. 25 years ago inflation rate reached 84% a month and 35% of the population was extremely poor. In 2013, Brazil ranks the seventh world's largest economy, inflation reached 5,4% a year, poverty was reduced to 12% and the country is looking forward to be wealthy. Will it happen? Agile cutting, simple language and smart graphic arts allow the answer to this and other questions to be interesting and available to all audiences.

The fading of composer Zé Keti’s career. The sad portrait of Brazilian Congress closed in 1977. The pain of a mother who lost her 15-year old daughter run over by a car. The Brazilian Presidents since Castelo Branco. Characters and settings registered through the keen and sensitive perspective of photographer Orlando Brito, in a career spanning 50 years as a professional. From the political sidelines to the lives of Brazilians from the interior, Brito recalls experiences and discusses the role of the photographer and the pain of registering someone’s grief.