Ute Koska

The Political drama shows the denunciation and persecution of the 19-year-old Sanne in the Nazi state. After she falls in love with her cousin, Sanne is betrayed by her jealous aunt to the Gestapo.

Young folks from different groups of early 80s subcultures (Punks, Rockers, Poppers) are heading for Wannsee, a local recreation area in West Berlin, where they are getting in conflict with middle-class-citizens. The movie is a collection of short sketches leading to a crazy pursuit and a lunatic struggle of nearly everybody against nearly everybody.

L'Allemagne dans un futur proche. Le pays est riche, tous les problèmes semblent résolus, il n'y a pas de pollution et de chômage. L'alcool mais aussi les légumes cultivés dans son propre potager sont interdits, on ne parle plus de suicide mais de mort subite, la télévision veille à la tranquillité par ses émissions comme le concours annuel de l'humour (placé dans une série mettant en scène Einstein et Napoléon) et des bulletins météorologiques toujours positifs. La police (dont le symbole est un poing au pouce levé) fait régner l'ordre grâce à ses actions contre les "Prokos". Tous les médias sont entre les mains d'un groupe dont la direction appartient à la même famille. La seule parole critique se trouve dans la série de bande dessinée La Panthère bleue qui fait une caricature de patrons autocrates et réunit leurs adversaires, les "Krysmopompes". Rainer Werner Fassbinder y joue son dernier rôle, avant sa mort le 10 juin 1982

Each 30 minute episode is dedicated to a separate issue or theme and consists mainly of related short featurettes, which explain, explore and educate how things of everyday life and even complex systems work. It spans a wide variety of topics from technology and industry to something as mundane as how the postal service works.

Liebling Kreuzberg was a television series on ARD, which was sent in five seasons with a total of 58 episodes the first time from 1986 to 1998. The scripts of seasons one through three and five were from Jurek, of his friend Manfred Krug wrote the role of idiosyncratic Berlin attorney Robert favorite on the body, the fourth season was written by Ulrich Plenzdorf. Director Heinz Schirk, Werner Masten led and Vera Loebner. Producing Series transmitters were the SFB, the NDR and WDR. The music of the first season was. Hans-Martin Majewski, in the later seasons of Klaus Doldinger.