Sidney D. Mitchell

Mr. and Mrs. Warner Bros. Pictures and their precocious offspring, Little Miss Vitaphone, host a dinner in honor of Warner Bros. Silver Jubilee, attended by most of the major players and song writers under contract to WB at that time.

Phil and Pete compete for Mary's love and also in a contest for best song written by a college student.

Mr. and Mrs. Warner Bros. Pictures and their precocious offspring, Little Miss Vitaphone, host a dinner in honor of Warner Bros. Silver Jubilee, attended by most of the major players and song writers under contract to WB at that time.

A very young Joan Bennett tops the cast as Nan Sheffield, the daughter of a college president. The nominal leading man is Tommy Nelson, the black-sheep son of a wealthy alumnus. Though Nelson is an ace football player, President Sheffield refuses to enroll the boy because of his bad reputation, whereupon Tommy's father withdraws his financial backing and bars his son from ever setting foot on Sheffield's campus. Falling in love with Nan, Tommy signs up with the college under an assumed name, giving up his wastrel ways to lead the football team to victory. Joe E. Brown steals the show as Speed Hanson, a goofy gridiron star who emits a loud and long yell whenever scoring a touchdown (this was, in fact, the first film in which Brown's famous "Yeeeeowww" was heard -- but certainly not the last).

A very young Joan Bennett tops the cast as Nan Sheffield, the daughter of a college president. The nominal leading man is Tommy Nelson, the black-sheep son of a wealthy alumnus. Though Nelson is an ace football player, President Sheffield refuses to enroll the boy because of his bad reputation, whereupon Tommy's father withdraws his financial backing and bars his son from ever setting foot on Sheffield's campus. Falling in love with Nan, Tommy signs up with the college under an assumed name, giving up his wastrel ways to lead the football team to victory. Joe E. Brown steals the show as Speed Hanson, a goofy gridiron star who emits a loud and long yell whenever scoring a touchdown (this was, in fact, the first film in which Brown's famous "Yeeeeowww" was heard -- but certainly not the last).

A very young Joan Bennett tops the cast as Nan Sheffield, the daughter of a college president. The nominal leading man is Tommy Nelson, the black-sheep son of a wealthy alumnus. Though Nelson is an ace football player, President Sheffield refuses to enroll the boy because of his bad reputation, whereupon Tommy's father withdraws his financial backing and bars his son from ever setting foot on Sheffield's campus. Falling in love with Nan, Tommy signs up with the college under an assumed name, giving up his wastrel ways to lead the football team to victory. Joe E. Brown steals the show as Speed Hanson, a goofy gridiron star who emits a loud and long yell whenever scoring a touchdown (this was, in fact, the first film in which Brown's famous "Yeeeeowww" was heard -- but certainly not the last).

Jack Osterman is smitten with a woman on a park bench, and cannot stop saying the word "Umpa" for the rest of the film, which involves his treatment by a doctor and his singing and dancing temptress nurses. Somewhere between utterly silly and consummately brilliant with its fully rhyming dialogue, "Umpa" is the catchword for that enduring urge that makes people do ludicrous things with absolute determination.

Jack Osterman is smitten with a woman on a park bench, and cannot stop saying the word "Umpa" for the rest of the film, which involves his treatment by a doctor and his singing and dancing temptress nurses. Somewhere between utterly silly and consummately brilliant with its fully rhyming dialogue, "Umpa" is the catchword for that enduring urge that makes people do ludicrous things with absolute determination.

Oklahoma mechanic Pike Peters finds himself part owner of an oil field. His wife Idy, hitherto content, decides the family must go to Paris to get "culture" and meet "the right kind of people." Pike and his grown son and daughter soon have flirtatious French admirers; Idy rents a chateau from an impoverished aristocrat; while Pike responds to each new development with homespun wit. In the inevitable clash, will pretentiousness and sophistication or common sense triumph?