Gabriele Fischer

A treatise on love and desire tainted by harsh reality of capitalism, in which submission to the laws of lust-as-commerce is played out by five prostitutes and their pimp, who pits them against one another so that they are incapable of standing up to him collectively.

Iranian director Sohrab Shahid Saless has succeeded in taking on an unusual project — the life and times of a German literary figure — and making it interesting. Christian Dietrich Grabbes lived a very short life in the first half of the 19th century and is primarily known for his satire, skepticism, basurd theater and the fact that he presaged the Postmodern movement in literature. Hannibal and Don Juan and Faust are two of his better-known works. In this docudrama, his Comedy, Satire, Irony and Deeper Meaning is featured partly because it gives a drubbing to the icons of German thought that had a stranglehold on the creative process. One memorable moment in this three-and-a-half-hour story is when the alcoholic writer is caught in the throes of delirium and comes around to see his own mother as a figure of death. The irony is that an Iranian director could capture the spirit and age of a German writer so well

The Riehl family has recently owned a small house in a new development in the countryside. Mr. Riehl drives into town every morning, where he works in a furniture store. The two children still go to school. Ms. Riehl takes care of the household and has to cycle long distances to do some shopping. When an aunt gives her a considerable amount of money one day, she definitely wants to use it to get her driver's license.

The Riehl family is preparing for their vacation in Italy together. But shortly before the start comes the bad news: a colleague of Mr. Riehl, who is now the managing director of a furniture store, has broken his leg.