Don Byron

Evocation de Kansas City, ville de tous les dangers, dans les années trente à travers les aventures d'une jeune télégraphiste qui kidnappe la femme d'un homme politique influent afin d'obtenir la libération de l'homme qu'elle aime, petit malfrat tombé dans les griffes des gangsters.

Dans les rues de Manhattan, Izzy, un saxophoniste de jazz, tombe par hasard sur le cadavre d'un inconnu et se saisit machinalement de sa mallette. Il y trouve un numéro de téléphone et un coffret contenant une mystérieuse pierre. Le numéro de téléphone aboutit chez Celia, une jeune actrice, et sous la magie de la pierre, il tombe amoureux. Mais de drôles d'individus sont à la recherche de la pierre. L'histoire nous entraîne alors dans la boîte de Pandore qu'est l'âme d'Izzy.

A Jumpin' Night in the Garden of Eden was the first film to document the klezmer revival, tracing the efforts of two founding groups, Kapelye and Boston's Klezmer Conservatory Band, to recover the lost history of klezmer music. For nearly a millennium, this vigorous and soulful music was part of the celebration of Jewish life in Eastern Europe. In the early decades of this century, the music took root in America. Klezmer musicians learned hundreds of tunes by ear and their ears were open to Gypsy, Ukrainian and Greek melodies of the old world, as well as to the new sounds of American jazz. Music born in Eastern Europe lived on in the imaginations of composers for New York's Yiddish theater, men whose tunes entered the mainstream through such unlikely adapters as the Andrew Sisters. Eventually Klezmer went underground as its audience assimilated into mainstream American culture.

Joe Papp, the founder of the New York Shakespeare Festival and, subsequently, The Public Theater—arguably the most important theatre in North America—is profiled in this documentary that neither sanctifies nor vilifies him. He brought us free Shakespeare in the Park, Hair and A Chorus Line, and nurtured many of America’s greatest playwrights, directors and actors. His complex personality and mercurial behavior are much in evidence and spoken of with frankness through interviews with some of America’s most celebrated artists, including Meryl Streep, Christopher Walken, Martin Sheen, Kevin Kline, and James Earl Jones.