João Carlos Gorjão

Short film by Fernando Lopes, decisive figure of the Portuguese New Wave.

Short film by Fernando Lopes, decisive figure of the Portuguese New Wave.

Alentejo 1975. The Police associate a group of traveling players with a strike of agricultural workers. The action takes place in the open space and harsh heat of the Alentejo. With the connivance of Lianor, the troupe enters the palace of Don Gonzalo an old aristocrat. The gentleman is obsessed by visions of great past deeds in a universe of ghosts. This was the first example of militant cinema in Portugal after the end of the Estado Novo dictatorship, exploring the world after the Carnation Revolution and its contradictions.

With a strong documentary element, "Nós Por Cá Todos Bem" mixes professional actors with the inhabitants of a small village, telling the story of a small film crew in a village living day to day.

This exaggerated mockery of crime cinema tells the story of a gang lead by "Renato, o pacíficio" (Renato, the peaceful) and their attempt to steal precious jewels from the Gulbenkian Museum in Lisbon. The weapon of choice? Bees!

Alentejo 1975. The Police associate a group of traveling players with a strike of agricultural workers. The action takes place in the open space and harsh heat of the Alentejo. With the connivance of Lianor, the troupe enters the palace of Don Gonzalo an old aristocrat. The gentleman is obsessed by visions of great past deeds in a universe of ghosts. This was the first example of militant cinema in Portugal after the end of the Estado Novo dictatorship, exploring the world after the Carnation Revolution and its contradictions.

With a strong documentary element, "Nós Por Cá Todos Bem" mixes professional actors with the inhabitants of a small village, telling the story of a small film crew in a village living day to day.

This exaggerated mockery of crime cinema tells the story of a gang lead by "Renato, o pacíficio" (Renato, the peaceful) and their attempt to steal precious jewels from the Gulbenkian Museum in Lisbon. The weapon of choice? Bees!

The first feature in António Reis and Margarida Cordeiro’s trilogy is a journey through this almost mythical region of north-east Portugal, a tapestry of micronarratives where past, present and future become intertwined.

In 1974, not long after the death of Portuguese dictator Salazar, who had ruled Portugal from the early '30s to the late '60s, a group of disgruntled Army officers held a coup. They were even more disgruntled when they realized how the coup was being manipulated by leftist officers to instigate genuine elections and establish a constitution for the first time in Portuguese history. Though their intent was to form a radical socialist state, circumstances prevented this, and a genuine parliamentary democracy emerged. This film explores the circumstances of a right-wing businessman during those times. The man is an old-fashioned authoritarian, whose attentiveness to the needs of his mistress, wife and son is crude where it exists at all.