Maria Landrock

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Die Konferenz der Tiere
6.2
One day the animals become too colorful: war is constantly going on among the people. When Alois, the lion, learns that the 365th Peace Conference has just failed, the animals decide that it is high time to intervene: they call their own "animal" peace conference. With much courage and even more imagination, they develop a plan so that Frides can finally prevail among the people of the world ...
Animation
Le Traître
6.7

Le Traître

Dec 21, 1951
La seconde guerre mondiale touche à sa fin. L'Allemagne Nazie meurt mais ne se rend pas. L'armée américaine qui manque cruellement d'informations sur les opérations allemandes décide d'envoyer deux prisonniers de guerre allemands de l'autre coté du Rhin dans l'espoir de glaner quelques précisions sur ce qui se prépare. Seul problème: La gestapo, dont le réseau visant à démasquer et éliminer les espions ou les déserteurs est terriblement efficace...
War
Das Kriminalmuseum
8.5

Das Kriminalmuseum

Aug 07, 1970
Das Kriminalmuseum was a German television series. It ran from 1963 to 1970 on ZDF and was one of its first programs. Each episode began with a tracking shot through an unspecified crime museum, stopping at one of the displays, whose story was then told. Each episode was between 60 and 75 minutes long and featured different actors as the criminal commissioner. The best known was Erik Ode, who in 1969 moved to Der Kommissar, appearing in 97 episodes. The theme music of the series was written by German composer Martin Böttcher, who also composed the complete scores for five episodes.
Crime
Das Kriminalmuseum
8.5

Das Kriminalmuseum

Aug 07, 1970
Das Kriminalmuseum was a German television series. It ran from 1963 to 1970 on ZDF and was one of its first programs. Each episode began with a tracking shot through an unspecified crime museum, stopping at one of the displays, whose story was then told. Each episode was between 60 and 75 minutes long and featured different actors as the criminal commissioner. The best known was Erik Ode, who in 1969 moved to Der Kommissar, appearing in 97 episodes. The theme music of the series was written by German composer Martin Böttcher, who also composed the complete scores for five episodes.
Crime
Der Kommissar
7.5

Der Kommissar

Jun 30, 1976
Der Kommissar is a German television series about a group of detectives of the Munich homicide squad. All 97 episodes, which were shot in black-and-white and first broadcast between 1969 and 1976, were written by Herbert Reinecker and starred Erik Ode as Kommissar Herbert Keller. Keller's assistants were Walter Grabert, Robert Heines, and Harry Klein who, in 1974, was replaced by his younger brother Erwin Klein.
Drama
Der Kommissar
7.5

Der Kommissar

Jun 30, 1976
Der Kommissar is a German television series about a group of detectives of the Munich homicide squad. All 97 episodes, which were shot in black-and-white and first broadcast between 1969 and 1976, were written by Herbert Reinecker and starred Erik Ode as Kommissar Herbert Keller. Keller's assistants were Walter Grabert, Robert Heines, and Harry Klein who, in 1974, was replaced by his younger brother Erwin Klein.
Drama
Der Kommissar
7.5

Der Kommissar

Jun 30, 1976
Der Kommissar is a German television series about a group of detectives of the Munich homicide squad. All 97 episodes, which were shot in black-and-white and first broadcast between 1969 and 1976, were written by Herbert Reinecker and starred Erik Ode as Kommissar Herbert Keller. Keller's assistants were Walter Grabert, Robert Heines, and Harry Klein who, in 1974, was replaced by his younger brother Erwin Klein.
Drama
Inspecteur Derrick
6

Inspecteur Derrick

Oct 16, 1998
Cette série policière met en scène les enquêtes de l'inspecteur Stefan Derrick et de son adjoint Harry Klein dans la ville de Munich. Divers types d'enquêtes y sont entrepris, notamment des cas de mort par assassinat ou encore de complot. Chaque épisode est construit sur un scénario qui s'intéresse à la psychologie des personnes appartenant à l'entourage de la victime. Très souvent, la réponse à l'intrigue posée par le scénario est obtenue à la fin de l'épisode. C'est donc à chaque fois un travail minutieux d'accumulation de déductions et d'étude approfondie de la psychologie des personnages qui est réalisé.
Drama