Richard Brautigan

In the late 60's a group of poets, writers, and musicians descended upon Key West to pursue their love of literature and fishing (and cocaine and acid). Initiated by Tom McGuane - the prodigal son of American Literature of the 1970s - his friends Jim Harrison, Richard Brautigan, Russell Chatham, and Jimmy Buffett soon joined, creating some of the best art of their generation.

The first of the modern fishing films, shot in the wild panorama of 1970s Key West. Colorful scenes of Key West from another era - with treasure hunters, smugglers, hippies and eccentrics - are background to stunning cinematography and tarpon fishing at its finest. Authors, Richard Brautigan, Tom McGuane and Jim Harrison join with legendary flats guides, Woody Sexton, Gil Drake and Steve Huff.

Two unlikely hero gunslingers are hired by a 15-year-old girl named Magic Child to kill the monster that lives in ice caves under the basement of a house inhabited by a young woman named Miss Hawkline.

Presented by Hip Pocket Theatre, Fort Worth, Texas. In Watermelon Sugar takes place in a world where life is lived simply and everything is made from watermelon sugar, a substance refined from both the watermelons grown on the commune and Brautigan's considerable imagination. The central character, another of Brautigan's gentle narrators, is the only writer in what seems to be the only settlement left on the planet. In fact, intellectual and artistic pursuits are allowed but not encouraged in the commune called iDEATH. Most of the residents live their lives on a more literal, physical plane: making stew for the gang, turning watermelons into building materials, and constructing transparent underwater tombs. Life at iDEATH moves at a leisurely, idyllic pace.

The largest ocean in the world starts or ends at Monterey, California. It depends on what language you are speaking. My friend's wife had just left him. She walked right out the door and didn't even say good-bye.

A short by Kansas Bowling.

Film documentaire en 3 épisodes sur la façon dont les humains ont été colonisés par les machines qu'ils ont eux-mêmes conçues. Sans en avoir conscience, nous ne percevons désormais plus le monde qu'à travers les yeux des ordinateurs.