Margarita Musto

Blas Quadra, a writer who was part of the Latin American boom of the '60s, now lives in Uruguay, blind and in seclusion while his son Gabriel is quite successful as a screenwriter in Spain. But one reporter found many similarities in the scripts of Gabriel and his father's work.

It is Nelson's first day at work. He has to conduct a survey at Mirna's house, a deprived shack in the middle of a garbage dump. But Mirna has no specific answers to any of the questions in the form.

Gregorio is a Tupamaro exiled in Spain who has returned to Uruguay. He has not yet revealed his secret: on the site where today he intends to build a house for his family there are buried weapons and ammunition from his guerrilla past.

Uruguay 1966. Aurelio Saavedra, un politicien influent, ramène chez lui Masángeles, sa fille illégitime, après le suicide de sa mère. Aurora, sa femme, ne s’en remettra jamais. Masángeles réalise que dans cette maison de fous égoïstes, elle doit s’adapter pour survivre, tandis qu’au dehors, le pays souffre d’une guerre civile entre des guérilleros amateurs et des militaires cruels. Face à cette situation, chaque membre de la famille adopte une position différente

When Liliana decides to return to Uruguay she will have to face up to a new dilemma, perhaps the last great dilemma of her life: To choose between supporting a collective case for female prisoners, raped during the time of the dictatorship, or to reconcile with her son and be able to live peacefully as a mother and a grandmother.

A mother struggles to raise her daughter all by herself, and due to the economic difficulties decides to rob multiple finance houses, fooling her victims with the handle of her umbrella that she make them think is a real revolver.