Marie Carré

Summer of 1964. The professor Carlos and the couple Dário and Alda spend time together in the beach during vacations. Away from the colonial war, everything seems lost in time.

Une femme dans un fauteuil. La caméra danse autour d'elle et dévoile dans son dos l'image comme diffractée de huit danseuses, piquées telles des insectes sur un mur oblique. Dans un espace clos au sol terreux, tandis que des mots de Marguerite Duras sont murmurés en voix off, les neuf danseuses résistent par des gestes d'évitement et de fermeture du corps aux intempéries qui les visitent.

The itinerary full of pitfalls, funny and serious encounters of a young dreamer who lives with an obsession.

Paris, March 1939. While the march of the Nazi troops makes itself heard throughout Europe, exiled artists and intellectuals from all over the world still converge in the French capital. Portuguese composer Fernando Lopes-Graça is among them, sharing this cosmopolitan environment, on the verge of rupture. A happy coincidence brings him into the presence of the man he considers his master, the intransigent Hungarian composer Béla Bartók. For Lopes-Graça, the occasion presents itself as a unique opportunity to show Bartók his scores...

The evocation of light in the cinema leads the Character of the Man of Light to ponder over it, over its essence and its multiple manifestations in a revisitation of geographical places and memories.

The evocation of light in the cinema leads the Character of the Man of Light to ponder over it, over its essence and its multiple manifestations in a revisitation of geographical places and memories.