Manuel Guanilho

A man exiled in Paris makes various trips to Portugal after the Carnation Revolution. Each trip is represented by a woman.

This Portuguese movie directed by João Botelho, is part of The Four Elements series. This is the second episode, The Air.

In the near future, along the Portuguese coast, a network of ocean and solar power transformers will be installed. With the ecological balance seriously threatened, domestic animals disappear from the cities and return to wildlife in upland areas. On hearing of his sister's death in a road disaster, Jorge tries to warn his father - who, meanwhile, leaves for a secretly kept house, as a refuge and resting place.

A newspaper reporter comes across a man and woman arguing on the beach, and after obligingly driving the woman around when she seeks him out, he takes her back to discover that the man has been murdered. The woman takes off, but the reporter, after many twists and turns, runs into her on a train. They start a relationship, but he had better pay closer attention to how he got to know her in the first place.

Miguel (Luis Miguel Cintra) is lucky that his income will only level off if he neglects his business as a financier, and his wife and family will be well supported. Why? Because he has begun hearing noises that no one else hears, noises that bother him a great deal, and that make it impossible for him to bear human society. His wife (Jessica Weiss) is thoroughly put out by this radically changed behavior in her formerly good husband, but though she considers leaving him, she stays by his side. Deep in the mountains, Cecelia (Rita Dias), a devout, pure young cowherd, has been brutally raped by an old man. Her boyfriend (Pedro Hestnes) has killed the rapist, and fled the area. As a result of the rape, Cecelia is pregnant. One day, while driving in the mountains, Miguel gives Cecelia's boyfriend a ride. The two of them chance upon her sitting amid the rocks with her infant baby.

This dark and intense drama follows the slow and painful destruction of a young, passive woman as she watches her family fall apart. Maria is the shy and dutiful daughter upon whose shoulders the family traumas have fallen. In addition to a regular job she cooks, cleans, and studies. Her parents offer no assistance as her father is blind, with a tendency towards violence when drinking. His wife, the focus of his violence is terribly unhappy. After a particularly brutal beating, Maria's brothers rise up against the father and end up leaving the home. It is up to Maria to try to bring the factions together. Maria's pressures increase after she calmly stabs her boss during an attempted rape, and then copes with her mother's suicide.

A film adaptation of the Charles Dickens novel "Hard Times" set in a Portuguese industrial town of the 1980s.

This film, made as a "twin" of A ilha dos amores, was planned as a poetic documentary on the enigmatic life of Wenceslau de Moraes (1855-1929), the great Portuguese writer who lived in the Far East. Verbal testimony, photographs, manuscripts, images of Lisbon, Macao, Kobe and Tokushima in Moraes' time are set side by side with A ilha dos amores and with de Moraes' writings. The director, Paulo Rocha, visited places where Moraes was still remembered, interviewed the writers descendants, consulted archives, rummaged through memories, appointment books, postcards, diaries and calendars from the private life of the 19th century. And above all he set out on a new journey, from Lisbon to Macao to Kobe until he reached Tokushima, where Moraes lived through the final ruin of his life and where Rocha tracks down, between the city and the cemetery, the living presence of places and the memories of individuals.

A long-hidden, personal doc about leaving a beloved house by the late, revered Portuguese director Manoel de Oliveira.