Smriti Biswas

A hero and a heroine, a villain and a Vamp and a few comic sequences are there mainly for your entertainment.

Saamri, an evil magician, causes trouble in the lives of Prince Jalal and his princess. As the situation worsens, the prince sets out to destroy the magician.

An abused homeless male and a mentally-challenged woman become friends.

Entering an apartment block in search of a drink of water, a naive peasant finds himself mistaken for a thief and is chased by the residents. Whilst evading capture, he inadvertently exposes the venality and dishonesty of the building's middle class occupants.

Gautam, a rich young man, goes to Assam to visit his father's tea plantation. The plane in which he's travelling is forced to make an emergency landing due to bad weather. Gautam gets hurt and suffers from amnesia. He falls in love with a young woman Kanchan, who responds to him even though she is part of a religious community that doesn't allow its members to marry.

Kishore is a conman who has little respect for the rich. He learns that the person responsible for his friend's death is the same who led to his own father's death. He swears to bring him to justice.

Set in the turbulent 1930s, this is the story of a poor Chinese hawker selling his merchandise, Chinese silk, in the streets of Calcutta. This was the time when China was repulsing a brutal attack of militarist Japan and when an outraged Rabindranath Tagore wrote to his friend in Japan, the great poet Noguchi: “I wish your countrymen, whom I love so much, not success but remorse”. This film holds the dubious distinction of being the first to be banned (though temporarily) in independent India.

It was 1943. Burma was under Japanese control. In Pegu, a small place near Burma lived two Indian families. They were neighbors Kumar and Lata loved each other. Their parents were also willing to see them engaged. Suddenly one day, it came out in the news paper the Netaji Subhas Chandra Bose had called on the people to give him blood so that he could give them freedom. Kumar was reluctant but later on he decided to join the INA.

Raj Kumar Ashok belongs to a rich and aristocratic family. His parents want him to marry the best of the best girls money could find. Ashok's dad then spends a lot of money to invite proposals from all over India. But Ashok loves Kokila, who belongs to a poor family and sells flowers for a livelihood. Ashok decides to carry on his love with Kokila and at the same time witnesses the hilarious goings-on at his residence when the dads, mom, and the brides-to-be assemble - all from different parts of India - all speaking a different language. And with this multi-lingual medley, misunderstandings are bound to happen - and they do. His parents eventually select Roopa to be the bride. What will happen to the budding romance of Ashok and Kokila?

Two jobless men become entangled in a series of chases and conflicts when they try to hang on to an extremely valuable coat that a fleeing criminal dropped in their apartment.

Yahoodi Ki Ladki (The Jew's Daughter) is a Hindi drama film directed by S.D. Narang, starring Madhubala and Pradeep Kumar as leads. The film became a silver jubilee hit on its release in January 1957.