Marcella Albani

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Corte d'Assise
1

Corte d'Assise

Jan 31, 1931
During a reception in a villa, wealthy banker Calandri is killed in the park with a gunshot. The gamekeeper Barra is immediately arrested, but he declares himself innocent. During the trial it turns out that the defendant had threatened the victim, guilty of courting his sister-in-law. But the deposition of a journalist present at the party soon leads to discover the existence of a dense network of equivocal relations between the victim, the guests and the servants. This judicial setting drama is allegedly the second Italian sound film after "The Song of Love", made using the RCA Photophone recording technique, and is also considered to be the first Italian detective film, a precursor to the later genre of Giallo films.
Drama
Der Fluch der Vererbung
1
A woman who has inherited hemophilia is rejected by her doctor fiance after he finds out about her illness. Fearing rejection, she hides it from her new husband, a wealthy older banker.
Drama
Der Kampf ums Matterhorn
9
Struggle for the Matterhorn (German: Der Kampf ums Matterhorn) is a 1928 German-Swiss silent drama film co-directed by Mario Bonnard and Nunzio Malasomma and starring Luis Trenker, Marcella Albani, and Alexandra Schmitt. The film is part of the popular cycle of mountain films of the 1920s and 1930s. Art direction was by Heinrich Richter. Based on a novel by Carl Haensel, the film depicts the battle between British and Italian climbers to be the first to climb the Matterhorn. Trenker later remade the film as The Challenge in 1938.
Drama
Stradivari
5

Stradivari

Aug 25, 1935
In 1914 a Hungarian officer inherits a Stradivarius which is believed to bring back luck to its owner. He and his Italian fiancée are separated by the First World War, and he is badly wounded.
Drama
Das letzte souper
1

Das letzte souper

Nov 05, 1928
The impressive cast is headed by the great Heinrich George as Boris Stroganoff, an opera composer and conductor who’s also a notorious lothario. Albani is ballet dancer Viola Suroff, who’s put her career aside to look after her partner Maxim Sadi, a baritone with unspecified health issues that have kept him off stage. Stroganoff sets his sights on Viola and offers her a job in the corps de ballet for his new opera The Boyar, which she accepts provided Maxim is also hired. However, dancer Margot (called Myrra in the French version) maintains a seething passion for Stroganoff, as does Countess Geschow (called Countess Ziska on this print), both of whom are resentful when watching his interactions with Viola. Jealousies run high on opening night between all the characters and Stroganoff is shot mid-performance, but who is the killer: Maxim, Margot, or Geschow?I
Hříchy lásky
1

Hříchy lásky

Oct 25, 1929
The troubled situation of a provincial actor and his actress wife who come to the city. The actor is suspected of attacking another actor who admires the actress.
Drama
Da Hält die Welt den Atem an
1
Bruce Wilton, middle-aged, rich and famous, as a producer, has been rejected by Ada von Ruyt, a revue star. Finding an affection is developing between her and Longard, now down and out, he arranges to send the man to South America with a touring company. But again rejected by the woman he loves, he causes her to be supplanted by a rival, and in a passion dismisses his secretary, her old friend. The man, who has suffered much, shoots him. Longard, thinking Ada has fired the shot, attempts to take the blame, but the murderer commits suicide.
Drama