Rudolf Klix

1885. Pour le festival d'opéra qu'elle a organisé, la petite ville d'Imlingen a invité une célèbre chanteuse, Maddalena Dall'Orto, qui non seulement chantera à l'opéra local, mais jouera également le rôle de la Passion selon saint Matthieu de Bach à l'église. La dame est accueillie par un comité d'accueil enthousiaste composé du prince d'Imlingen lui-même. Au bout d'un moment, Maddalena, qui est venue avec son amie Rohrmoser, révèle qu'ils sont tous les deux d'origine allemande. En fait, Maddalena est Magda von Schwartze, une citoyenne d'Ilmingen qui a quitté la maison en colère quelques années auparavant ...

This film is the first of a two-part historical and biographical portrait of the communist politician and anti-fascist Ernst Thälmann. In early November 1918, Ernst Thälmann is an unwilling soldier serving on the western front. As the revolutionary movement at home is threatened by the betrayal of the Social Democrats and fissures in the working class, Thälmann calls on his fellow soldiers to put down their weapons and unite with the workers in the communist struggle at home. Thälmann’s qualms about which side he is fighting on continue, but when the local police attempt to prevent a shipment of provisions and supplies from reaching the people in Petrograd, he intervenes and the ship is unloaded. With this moment of clarity, Thälmann continues to follow his political convictions and joins the workers at the Hamburg uprising in October 1923.

On his travels, Paul, a journeyman from northern Germany, runs into a childhood friend, Lisei, a puppeteer's daughter. They fall in love and get married. Together with Lisei's father, the young couple moves to Paul's hometown. Although Paul himself is accepted - even respected - by the stuck-up and snooty citizens, the young woman is rejected by the town dwellers, who are imbued with class arrogance. Paul stands up for his wife but the scorn and abuse heaped on her weigh heavily upon him.

A man searches for a cursed emerald belonging to his ancestor.