Monique Chrysès

Eugénie, jeune fille au tempérament délicat, s'enfuit du sordide cabaret que tient sa mère. Aidée par un hasard providentiel, elle devient mannequin dans une maison de couture des Champs-Élysées.

In Gossette (1923), Dulac experimented with and designed a number of special lenses and prisms to produce a variety of effects and multiply the expressive means which translate the characters' visions and mental states. She also reversed class and gender roles, as she made the female character Gossette come to the aid of Phillipe de Savières, falsely accused of murder, in order to save his name.