Friedemann Beyer

De Murnau à Herzog, et jusqu’à ses avatars modernes, une exploration malicieuse de la destinée d’une figure mythique du septième art, avec pour guide Nosferatu lui-même…

Nosferatu le vampire sort à Berlin en 1922. Plus qu'un film, un chef d'oeuvre du cinéma d'horreur. Murnau, son réalisateur, se tue dans un accident de voiture à Hollywood, dix ans plus tar. Plus qu'un cinéaste, un génie incontesté du 7e art. Nosferatu et Murnau : deux destins imbriqués, deux aventures de vie flamboyantes et mortifères, entre ombres et lumière, lauriers de la gloire, malédictions en série et résurrection éternelle. Ce documentaire, à l'esprit baroque et fantastique, mène une enquête palpitante aux multiples rebondissements, investigue notamment à La Fondation Friedrich Wilhelm Murnau

Documentaire retraçant les 100 du studio de cinéma berlinois Universum Film AG (UFA) et la place qu'il a tenu dans l'histoire du cinéma en général, et des films allemands en particulier.

Documentary of 3 parts that narrates based on the film "The Adventures of Baron Munchhausen" (1943), the progression of color cinema developed in Europe.

Oliver and the much older photographer Hendrik are a couple. A rather contrasting couple: Hendrik has already achieved a lot in his life and is considered an 'old hand' in his profession. Oliver, on the other hand, is only at the beginning of his career as a photographer and has retained a childlike naivety and playfulness in his life plans. Oliver and the young Silvia meet at a photo session. It is immediately clear to the ambitious Silvia that Oliver is her springboard to a modeling career. That same evening, Hendrik proposes to Oliver. But Oliver makes an almost unfulfillable condition: He wants a child! Hendrik is completely at a loss. What should he do? Then Silvia bursts into his house. All she really wants is to be photographed by Oliver. But things turn out differently...

A documentary of the life of German actress Sybille Schmitz (1909–1955) who rose to prominence in the German cinema of the 1930s and whose final years were used as the basis for Rainer Werner Fassbinder's 1982 film 'Die Sehnsucht der Veronika Voss'.