Hasmik Agopyan

Recently added

Krder-Ezidner
8

Krder-Ezidner

Jan 03, 1933
The film is about the establishment of a kolkhoz (collective farm) in a Kurdish village in Soviet Armenia.
Drama
Դավիթ Բեկ
6

Դավիթ Բեկ

Feb 14, 1944
The Armenian national hero, David Bek, leads a major Armenian uprising against Safavid Persia in the Syunik region in the 18th century.
Drama
Char vogi
1

Char vogi

Nov 26, 1928
Based on A. Shirvanzade’s story “Madwoman.” It's a tragic story of an epileptic girl, who is the victim of the prejudices of her husband's family. A powerful village drama with a horribly tragic ending, visually striking, lots of Armenian customs.
Gikor
1

Gikor

Dec 19, 1934
Village man Hambo, trying to set up his son Gikor, gives him in service of well-to-do merchant Bazaz Artem. Gikor couldn't find neither cordiality, nor kindness in merchant's house and misses his home. Some envy small bailiff but nobody see his sufferings.
Նամուս
4

Նամուս

Apr 13, 1926
Namus (Armenian: Նամուս, meaning "honor") is a 1925 silent film by Hamo Beknazarian, based on Alexander Shirvanzade's 1885 novel of the same name, which denounces the despotic rites and customs of Caucasian families. It is widely recognized as the first Armenian feature film.
History
Պեպո
4.4

Պեպո

Jun 15, 1935
A poor but honest fisherman Pepo opposes a cunning trader Zimzimov, who tries to rob him by trickery refusing to pay a lost bill. Pepo choses prison to paying-off his honour.
Drama
Զանգեզուր
1

Զանգեզուր

May 23, 1938
The film is about the civil war in the Zangezur (Syunik) province of Armenia in the early 1920s. The last Dashnak battalions headed by Sparapet Nzhdeh still opposed both the incursion of Red Army and the local Bolshevik partisans.
War
Ղուլը
1

Ղուլը

Jan 20, 1928
The first banned film of Armenian cinema. The further screening of the film was forbidden in Soviet Armenia because of the scenes in a brothel. The People's Commissariat of Education banned the screening of the film in Armenia, citing the fact that the events depicted in the film are characteristic of the period of Dashnaktsutyun's rule and that in 1927-1928 the screening of such a film cannot play an educational role.