Ariella Hirshfeld

Rien ne va plus is a photofilm, a love story between the souls of two people who died at the same time: Igor, a refugee from Azerbaijan, and Kah, the murdered wife of a diplomat. A film about geographical, physical and spectral borders.

Paris, 1900. Klimt est fêté à l'exposition universelle pendant qu'il est condamné à Vienne comme provocateur. Il vit sa vie comme il la peint, ses modèles sont ses muses. Klimt est en avance sur son temps. Ses relations passionnées avec les femmes et sa quête éternelle de Perfection et d'Amour se reflètent dans toutes ses œuvres. La controverse atteint son comble lorsque que Klimt détourne ses allégories « scandaleuses » et les rachète.

Isabel Burger would normally consider herself lucky. An unexpected inheritance takes Isabel, a trained chef, to Crete, where her German father left her a country house complete with its own olive grove. If only her failed startup in Munich and the resulting financial woes hadn’t led to the recent opening of insolvency proceedings against her. Isabel’s insolvency administrator gives her four weeks to sell her house on Crete as best she can and use the proceeds to pay off her creditors.

Yann, a photographer recently divorced, meets Alicia in a bar. Attracted to each other from the very first glance, they quickly embark on an affair. After a short while, Alicia leaves her husband and moves in with Yann, which leads to power struggles and position battles between them. Thilda, Yann's twelve-year-old daughter who lives with his ex-wife, instinctively resists Alicia, who expresses her mood swings in a borderline mode. Yann tries to escape the situation by getting involved with Tabea, while Alicia quits her job and resumes her unfinished psychology studies. However, she spends most of her days partying with drugs and is involved in multiple other affairs...

Senta and Thomas are dying to fall in love - just not with one another. Still, when two people - a hopeless romantic and a system analyst - meet, an unexpected amour fou ensues.

La vie brève et tumultueuse de Rainer Werner Fassbinder, enfant terrible du cinéma allemand. Par Oskar Roehler (« Les Particules élémentaires »), un biopic audacieux qui explore différentes facettes de l’artiste, y compris les plus sombres.

À Lübeck, riche cité hanséatique, la famille Buddenbrook a fait fortune dans le négoce du grain. En 1835, son installation dans un bel hôtel particulier est l'occasion d'une fête où se réunissent les trois générations : l'aïeul Johann et son épouse Antoinette, leur fils le consul et sa femme Elisabeth, et leurs petits-enfants : Thomas, Christian et Antonie. Le destin de ces derniers semble tout tracé : Thomas l'aîné dirigera l'entreprise, Christian le secondera et "Toni" épousera à son tour un négociant. Sauf que ce monde apparemment immuable est sur le point de voler en éclats...

Based on a provocative autobiography, this story — set in a largely Muslim neighborhood in Berlin — follows a teenage gang member who is caught between hiding his Jewish identity and saving his life.