Fabio Lombardelli

The usual story of the young director who tells the movie that fails to do. Zany gags, quotes, the eternal exasperation to get at all costs to laugh, to any.

A coming-of-age tale about three 18-year-olds just out of high school who go to a Greek island following one of the boys' older girlfriend.

When Debora's ex-husband, a popular neomelodic singer, loses his life in a stage dive, she worries that her 11-year-old son Ciro may be showing symptoms of depression. Taken to a child psychologist, shy Tommaso, Ciro eventually confesses to him that it's not his father's death that has got him down, it's love for his classmate, the cute Ludovica. The two make a deal: Tommaso will help Ciro to win the affections of Ludovica, while Ciro will give Tommaso a hand at having a chance with his mother.

When Debora's ex-husband, a popular neomelodic singer, loses his life in a stage dive, she worries that her 11-year-old son Ciro may be showing symptoms of depression. Taken to a child psychologist, shy Tommaso, Ciro eventually confesses to him that it's not his father's death that has got him down, it's love for his classmate, the cute Ludovica. The two make a deal: Tommaso will help Ciro to win the affections of Ludovica, while Ciro will give Tommaso a hand at having a chance with his mother.

This is the story of 3 friends, destined to lose and find each other over and over again. More importantly, this is the (true) story of a film theatre in Florence, The Universale, which was a cultural landmark in the city between the '60s and the '80s. It was a theater of its own kind, bringing together intellectuals, students, as well as the people from San Frediano, a well-known working-class Quartiere. Such unusual mixture among the cinema-goers also produced a sort of creative chaos, which is explored through the eyes of Tommaso, the projectionist's son.

In a story that follows some lives and their respective reincarnations over time, Valerio is a prince in the year one thousand and a doctor of the S.e.r.t. in the year two thousand. Altea on the other hand is a princess, who after a thousand years was reincarnated as a university student who volunteers as a mission and it also operates in the same S.e.r.t.. Their antagonist, in the past as in the present, is a man who was an alchemist and who today is the evil director of the same hospital where the S.e.r.t. is located. of Valerio and Altea. A rather anomalous director, given that he takes advantage of the cover offered by his position to traffic drugs in a big way. A fourth character is added to the three, Herrmugnen, who in the story embodies the mythological figure of the giant hero.