Dayana Contreras

A group of movie professionals go into a studio to, over a single day, read / test/ count / live the story of 'The Silly Ones and The Stupid Ones'. Sitting around a table and following the directions of the director, the actors show us the evolution of the creating process and how the characters through the trials, indications, lighting or props, that at first were just a story captured on a script becomes a film, in cinema, the great optical illusion, the visual lies that allows us to enjoy the stories we see on the screen.

Zosimo is the best at his trade. But if he can not work, his life holds no meaning.

How far can you allow your life to intertwine with others, leaving yourself open to spontaneous gestures, opportunities and chance? Three different characters, languages, experiences and sexualities. And three desires, all intense. But just one feeling is possible: guilt. A short essay on human incapacity to go beyond accepted rules and break out from convention.

Khalil est un jeune homme déraciné qui vit de petites combines, dans une zone frontalière où se côtoient bâtiments industriels et marécages. Il visite régulièrement Jose Ramon, un vieil homme au passé trouble qui habite une maison en bord de rivière. Cette maison, Jose Ramon la partage avec son frère Martin, à qui il n’a pas adressé la parole depuis des années. Dans le marais, des âmes plus ou moins perdues se côtoient, sans forcément se croiser.

A family story built upon what cannot be spoken: the open wound of the Basque people. A portrait of the contemporary Basque Country, exploring the bidirectional relationships between past and present.

Recounts the experiences of a middle-class family, the Alcántaras, during the last years of the rule of Francisco Franco and the beginning of the Spanish Transition to democracy.