Jake Chapman

Alan Yentob immerses himself in the Art World visiting the 5th London Frieze Art Fair in October 2007, the centre of the British contemporary art calendar.

As one of the highly provocative British art duo The Chapman Brothers, artist Jake Chapman is no stranger to challenging his audience. In this new film, he poses the question, “why is it easier to imagine the end of the world than the end of capitalism?” Perhaps the answer is ‘Accelerationism’, which emerged 50 years ago and predicted the reality we’re now living: A frenzied stasis of rapid technological advancement coupled with cultural and political stagnation. Capitalism – Accelerationism claims – is breaking down our society, our humanity, and our planet. But the only way forward is not to run from it, but to dive deeper into it. Regardless of where that takes us… As befitting for an artist as visual and extreme as Jake Chapman, this film is also part-artwork – playfully and uncompromisingly distorting the idea of how a documentary should look and feel.

The dramatic story of Egon Schiele in his own words, celebrating his remarkable artistic achievements but also debating the controversies around his work.

Jake Chapman explores why Goya's The Disasters of War etchings are so central to his own art and explains why, for him, there is a fundamental conflict at the heart of Goya's art.

Jake Chapman looks at the history of shocking art and tries to find the most shocking piece of art ever, and also to find out what artists who create such works think of other artists who create shocking works of art.

A cockroach with artistic aspirations follows an angst-ridden and talentless artist from pub to studio in pursuit of his dream, and comes to a sticky end.

With a name like Chlamydia Love, it comes as no surprise that the young lady in question is considered to be the office slut. Her colleagues also do not miss an occasion to ridicule her when she talks about her imaginary prince on a white horse. Chlamydia couldn’t care less. She just has to jump into a flushing toilet bowl to meet her beloved, the handsome surgeon Algernon Hertz. But her precious prince keeps her waiting and locals turn out to be a whole lot more savage that what is mentioned in the glossy tourist brochures. Chlamydia has to go on the run and ends up in the lair of the misanthropic scientist Helmut Mandragorass, a specimen of the male race not exactly blessed with dashing looks as his protruding forehead dwarves everything else. Paradise isn’t always what it seems to be.

With a name like Chlamydia Love, it comes as no surprise that the young lady in question is considered to be the office slut. Her colleagues also do not miss an occasion to ridicule her when she talks about her imaginary prince on a white horse. Chlamydia couldn’t care less. She just has to jump into a flushing toilet bowl to meet her beloved, the handsome surgeon Algernon Hertz. But her precious prince keeps her waiting and locals turn out to be a whole lot more savage that what is mentioned in the glossy tourist brochures. Chlamydia has to go on the run and ends up in the lair of the misanthropic scientist Helmut Mandragorass, a specimen of the male race not exactly blessed with dashing looks as his protruding forehead dwarves everything else. Paradise isn’t always what it seems to be.

As one of the highly provocative British art duo The Chapman Brothers, artist Jake Chapman is no stranger to challenging his audience. In this new film, he poses the question, “why is it easier to imagine the end of the world than the end of capitalism?” Perhaps the answer is ‘Accelerationism’, which emerged 50 years ago and predicted the reality we’re now living: A frenzied stasis of rapid technological advancement coupled with cultural and political stagnation. Capitalism – Accelerationism claims – is breaking down our society, our humanity, and our planet. But the only way forward is not to run from it, but to dive deeper into it. Regardless of where that takes us… As befitting for an artist as visual and extreme as Jake Chapman, this film is also part-artwork – playfully and uncompromisingly distorting the idea of how a documentary should look and feel.

A cockroach with artistic aspirations follows an angst-ridden and talentless artist from pub to studio in pursuit of his dream, and comes to a sticky end.

Jake Chapman looks at the history of shocking art and tries to find the most shocking piece of art ever, and also to find out what artists who create such works think of other artists who create shocking works of art.

Jake Chapman looks at the history of shocking art and tries to find the most shocking piece of art ever, and also to find out what artists who create such works think of other artists who create shocking works of art.