Luis Argueta

Après les cours, Anouk, une adolescente de 16 ans, suit Laurel, un jeune homme qui part de son travail. Un soir, ce dernier se dirige vers l'aéroport le plus proche et quitte la France sur un coup de tête. Destination Salvador de Bahia. Hantée par le désir de voyage dont Laurel est le symbole, Anouk tente d'en savoir plus sur son départ mystérieux tout en menant sa vie de lycéenne mouvementée.

An experimental film, black and white 16 mm film, made specifically to be submitted to the Ann Arbor Film Festival depicting a life drawing class where the model is dressed and the students are naked. This is Luis Argueta’s first black and white16 mm film. It includes an elaborate sound design by Joe Pearson. Argueta says that “the film was admitted to the Ann Arbor Film Festival, it was selected for the tour of campuses the festival puts together every year where each film received $1 per minute every time it was projected. My film was 7 min long and it must have been shown at least 43 times because I made back my $300 investment. It was the only time I ever made back the money I put into making a film. But it was the first time I felt I could express myself and invent something new and unique.” The title is a fake apology.

Guatemala 1976: A metaphor of natural devastation and political violence. Amidst the earthquake-shattered walls of Luis Argueta's childhood home, a young girl drinks the blood of a turkey as the sound of a manual typewriter is drowned by machine gun fire.

A boy struggles against his stifling family life during the 1954 Guatemala coup.

A boy struggles against his stifling family life during the 1954 Guatemala coup.

It is at once an epic story of survival, hope, and humble aspirations, of triumph, defeat, and rebirth. The face of immigration is revealed through the gripping personal stories of the individuals, the families, and the town that survived the most brutal, most expensive, and the largest immigration raid in the history of the United States.

The story of the persecution of homosexuals and intellectuals in Cuba under Fidel Castro's dictatorship, from the beginning of the Cuban Revolution (1953-59) until the early 1980s. Interviews with relevant personalities of Cuban culture who suffered persecution demonstrate that concentration camps for gays existed in Cuba.