Salvatore Licitra

En 1800, à Rome, peu après la victoire de Napoléon à Marengo, Floria Tosca, une chanteuse napolitaine, accepte tous les sacrifices pour l'amour de Mario Cavaradossi, un noble aux convictions libérales. Mais celle-ci est courtisée par le baron Scarpia, ministre de la police pontificale. Ce dernier soupçonne le peintre d'offrir l'hospitalité à son ami Angelotti, révolutionnaire évadé du château de Saint-Ange. Il attise la jalousie de Tosca à l'égard de la marquise Attavani, dont Cavaradossi fait le portrait.

Conducted by Riccardo Muti, the master of the Scala in Milan for twenty years, the Verdian melodrama unfolds before our eyes. This Cavani's approach is ageless and excellence is pre-eminent: to start with, the role of Riccardo is played by the wonderful Salvatore Licitra. As for Maria Guleghina, she plays an exceptionally good Amelia. Riccardo Muti proves once again what a wonderful Verdian he is.

The Zurich Opera presents a stunning new production of Verdi’s most popular, most spectacular work. Responding superbly to the role, Swedish soprano Nina Stemme – she of the richly clear voice – offers an Aida vibrant with love and emotion. Heading a magnificent cast, she makes a poignant couple with talented tenor Salvatore Licitra as Radamès. Luciana d’Intino is nothing less than brilliant in the role of Aida’s rival Amneris and Juan Pons imbues his Amonasro with enormous humanity. Conducting the Zurich Opera orchestra and chorus, Adam Fischer brings out all the score’s musical and dramatic majesty.

The cast is a dream team wrote the Financial Times after the premiere of this production of Verdis La forza del destino at the Wiener Staatsoper. Topping the list is Nina Stemme, who gives a full-blooded portrayal of Leonora. Passionate forceful readings are also provided by Salvatore Licitra as Alvaro and Carlos Álvarez as Don Carlo. Zubin Mehta leads Staatsoper Orchestra with agility, subtleness and relaxed mastery, and right from the start David Poutney establishes an atmosphere of entrapment by fate. With the aid of a bizarre, unforgettable stage construction, the acclaimed director finds an ideal setting to illustrate the merciless powers of chance and destiny.

In 2001, the centenary of Verdi's death was commemorated around the world, especially in the composer’s homeland, Italy, where he died on January 27th 1901. La Scala in Milan, where many of Verdi’s greatest works were premiered, marked the anniversary by presenting a new production of Il Trovatore, even though it was first performed in January 1853 in Rome and not in Milan.

The Arena di Verona Festival honors Italian stage director Franco Zeffirelli, and his legendary production of Turandot. Interpreted within the sumptuous surroundings of Verona Arena, this Puccini's masterpiece tells the story of a princess whose beauty was only comparable to her cruelty. She will only marry a prince capable of solving her riddles, but if he fails, he will be beheaded... For this edition, the lyrical festival invites the russian soprano Maria Guleghina who proved a brilliant Turandot. She took to the stage with Salvatore Licitra's trump card is his imposingly radiant tenor voice of wich he remains in sovereign control, and the soprano Tamar Iveri is a beautiful and sensitive Liù.

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