Frédéric Mainçon

A la recherche d’une amie disparue, Astrid mène l’enquête pour comprendre pourquoi il y a neuf ans, celle-ci a choisi de mettre un terme à leur relation, sans donner d’explications. L’enquête devient introspection : L’amitié et le rapport aux autres en question.

A group of old friends gather to scatter the ashes of a husband, a father, a friend in a place where present is confronted to the past. As if wasn’t flying, as if past and present were united.

A worker woman lives in her little house, works in a factory, shops in a market. One morning, the factory starts moving and gets out of the field…

A worker woman lives in her little house, works in a factory, shops in a market. One morning, the factory starts moving and gets out of the field…

A worker woman lives in her little house, works in a factory, shops in a market. One morning, the factory starts moving and gets out of the field…

Juan, the film director, is Ecuadorian, his partner, Francisca, is Cuban. They live in Paris where their two children were born, just like Juan 30 years earlier. By switching back and forward from past to present, between the history of a family across 3 generations and that of a whole continent, the film director considers the issue of political commitment and the heritage left to the next generation in the form of a letter from a father to his children.